Word: strove
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Both Signac and Seurat strove to give a noble, architectural permanence to fleeting effects by analyzing shape and light in terms of dots of color. They wanted rigor and system, not Impressionist spontaneity. Each man influenced the other; Seurat was the greater artist, but it was a real partnership. Thus it was Signac who persuaded Seurat, and not the other way round, to purify his color by banishing earth pigments from his palette. Later Signac would give up on the dot, using larger spots in a sort of mosaic. Under the influence of Turner, whose luminous watercolors and oils...
...decades, avant-garde art and rock and roll strove towards the common goal of social and political upheaval. Even prior to the creation of rock and roll, music and revolutionary art have made natural bedfellows. Five years before Marcel Duchamp drew a goatee on the Mona Lisa, Luigi Russolo and Babilla Pratella were accompanying traditional music with an orchestra and Pratella was accompanying traditional music with an orchestra of “Bruiteurs” that interrupted traditional compositions with grunts and hisses. The Bruiteurs shared the revolutionary spirit of the Dadaists, who believed that traditional cultural institutions, symbolic...
...important way, beside the point, for the myth transcends ideology. This is seen most plainly in the Met's Jackie Kennedy show, the purest display of Kennedy mythology in years. "The White House Years" is a joint brainchild of Caroline Kennedy and the late curator Richard Martin. They strove mightily to give the show an academic and historical gloss. But, really, it is a show about great clothes. And about artifacts, sacred objects assembled to evoke an irretrievable past. Outsize pictures of Jackie and her husband hang from the walls as backdrop for the actual gowns and dresses, poised silently...
...Vermeer might have smiled at Van Meegeren's efforts. Few of his own subjects were original, he was ruthless in his pursuit of objectives, strove for perfection over volume and borrowed ideas liberally. But there any comparison must end. In a Vermeer painting serenity prevails and, as Bailey notes, a viewer is taken into a room and invited to walk around and talk to those present. It is this unique intimacy that ensured Vermeer's reputation over time, and that continues to enthrall...
...Kyoto, then Japan's capital, after the ferociously destructive civil wars of the 16th century, when Japan was finally stabilized under three successive autocratic warlords. Rather as Italians thought their Renaissance was an upwelling of disciplined classicism--Rome reborn from the ashes of "barbarous" Gothic--so the Kyoto Renaissance strove to recall the spirit of the Japanese past, as far back as the Heian era (794-1185), especially in the domain of writing. It produced an intensely elitist, nobly disciplined and masculine culture whose emblems were the ink brush, the samurai sword and the tea bowl...