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Ellington knew how to mold a memorable melodic theme--check out a rendition of his In a Sentimental Mood (the version on the 1962 album Duke Ellington & John Coltrane is particularly enchanting). But Ellington was determined to do more than just write beautiful melodies. He strove to create long, complex compositions exploring social and spiritual themes. Listen to the muted trumpet on Work Song, a track on The Best of the Duke Ellington Centennial Edition. The notes almost seem to form words. The four-minute selection is from Black, Brown and Beige, a three-hour work exploring the history...

Author: /time Magazine | Title: Music: Still Loving Him Madly | 4/26/1999 | See Source »

...technically the most challenging of five; and musically the most adventurous. Schiff is known for silky Schubert and playful Bach, and the Beethoven fit under his fingers less naturally. Although his prodigious gifts made for some hair-raising pianissimo, his playing lacked the requisite Schnabelian drive. He strove for a nearly pedal-free sound at times when more blurring would have been a relief, and he attached the first movement cadenza with all the grace of an angry farmer. The effect was wild, precipitous, unique--but out of place. The second movement demonstrated Schiff's peerless trill technique, while...

Author: By Matthew A. Carter, CRIMSON STAFF WRITER | Title: Classical Stuff | 4/16/1999 | See Source »

...technically the most challenging of five; and musically the most adventurous. Schiff is known for silky Schubert and playful Bach, and the Beethoven fit under his fingers less naturally. Although his prodigious gifts made for some hair-raising pianissimi, his playing lacked the requisite Schnabelian drive. He strove for a nearly pedal-free sound at times when more blurring would have been a relief, and he attacked the first movement cadenza with all the grace of an angry farmer. The effect was wild, precipitous, unique--but out of place. The second movement demonstrated Schiff's peerless trill technique, while...

Author: By By MATTHEW A. carter, CRIMSON STAFF WRITER | Title: Concert Review: Classical Stuff | 4/16/1999 | See Source »

Throughout Riley's guided tour of the museum, be often paused for commentary on the acquisitive Gardner herself, accommodating her into his dualist scheme. He stressed that she was both a romantic wanderer who longed for emotional connection with art, as well as a scientific archeologist, who strove to understand art. He emphasized that her collection in intended to educate but is simultaneously an expression of her own artistic senses. Although it might appear to exist in pleasing disarray, it was actually thoughtfully and wittily designed...

Author: By Judity Batalion, CONTRIBUTING WRITER | Title: MoMA Curator Builds Windy Castles at the Gardner | 3/5/1999 | See Source »

Whether or not we choose to label Mary Cassatt a "modern woman," we can certainly call her a skilled and innovative painter who produced a uniquely emotional oeuvre. Like other Impressionists, Cassatt strove to capture scenes of modern life. Yet while her male counterparts often focused on working people, cityscapes or natural panoramas, Cassatt turned her eye to the private lives of her subjects. Concentrating her view on women and children, she presented their daily activities with remarkable tenderness and grace...

Author: NO WRITER ATTRIBUTED | Title: Blurring with the Wolves | 2/26/1999 | See Source »

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