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Harvard and sons strove to atone for Yankee niggardliness. Seniors welcomed freshmen to the Houses, while the Navy took over the Yard; the Freshman Union became a communications school. Upperclassmen, those above the draft-eligible age of 20, heard their country call, and ROTC and the Enlisted Reserve Corps accepted many of them...

Author: By Michael J. Barrett, | Title: Men of '43 Faced a Different War | 6/10/1968 | See Source »

...bloodletting by its foes and a force-feeding from its friends, the Administration's poverty program was in danger of total renovation on the Senate floor last week. The pro gram's critics sought to dismember Sar gent Shriver's Office of Economic Opportunity; its champions strove to heap half again as much largesse on the OEO as the White House had requested or wanted in a year of planned retrenchment. In the end, after an elaborate series of votes and floor maneuvers, the Senate passed a slightly enlarged version of Lyndon Johnson's poverty bill...

Author: /time Magazine | Title: The Congress: Poverty Bill's Progress | 10/13/1967 | See Source »

Accident's glacial dissection of human passion takes place against the brilliant background of a green Oxonian summer, accenting the mood of haunting irony that Director Joseph Losey (The Servant) strove for. But despite the excellence of his camera work, and of Bogarde in the central role, Accident is a flawed work. The fault is largely that of Scriptwriter Harold Pinter (The Homecoming). His customarily cryptic dialogue probes too deeply, revealing all of the characters' inner anxiety and guilt, almost none of their outward life and feeling. Although they suffer from pangs of the flesh, they seem...

Author: /time Magazine | Title: Cinema: X-Ray Treatment | 4/21/1967 | See Source »

Lucepapers Without Luce. Few journalists in his time labored harder to examine all three or 30 sides of an argument, or strove more conscientiously to see that the facts were presented fairly. TIME made judgments, about both issues and men. Looking back on his career, Luce once noted with satisfaction that "all our publications, all our activities, are successful. They are successful not only at the box office, but they are successful also in the opinion of a large part of mankind. This is a considerable consolation for our efforts over the years...

Author: /time Magazine | Title: Nation: HENRY R. LUCE: End of a Pilgrimage | 3/10/1967 | See Source »

...Flute: either as a symbolic, deeply philosophical work, as Oskar Kokoschka attempted (unsuccessfully) in his stolidly realistic sets for the Lyric Opera of Chicago in November; or as straight fairy tale, as Beni Montresor tried (successfully) in his lavish scenery for the New York City Opera in October. Chagall strove to incorporate both approaches and achieved neither. He viewed the opera in terms of color, reiterating that the total effect of the scenery should be "like a bouquet of flowers." When the opera finally opened last week, Chagall's bouquet bloomed stunningly, but the opera itself was lost...

Author: /time Magazine | Title: Opera: Flowery Flute | 3/3/1967 | See Source »

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