Word: struchkova
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Lyricism over Steel. Two successive performances of Swan Lake introduced Ballerinas Maya Plisetskaya and Nina Timofeyeva, two of the Bolshoi's first-line quartet of female dancers (of the first week's stars, Galina Ulanova no longer dances Swan Lake, and Raissa Struchkova is not doing so at the Met). Both ballerinas were superb in the double role of Odette-Odile-the Swan Princess and her evil counterpart. Plisetskaya danced her roles with a more contained fire, whipped her sprung-steel body through scissored leaps and glittering turns, gave the role of Odile a brittle profile that suggested...
...Sylphides (called Chopiniana by the Russians), an embarrassingly mawkish pantomime called A Blind Woman, which Prima Ballerina Ulanova almost managed to make acceptable. But most of the evening was given over to acrobatics: spinning, headlong leaps into the arms of supporting male dancers; a vaulting lift in which Ballerina Struchkova balanced light as a gull on the arched chest of her partner; a delicate tracery of pirouettes executed at stunning speed by the Bolshoi's youngest ballerina, 19-year-old Ekaterina Maximova. Unfortunately, the dancers' technique was more impressive than their material: among the selections was a glass...
...slowed down to an average of three ballets a month, but whose free-flowing line and effortless technique are still unmatched by any other dancer in the company. Ready to replace her are Maya Plisetskaya, 31, with her forceful, passionate style and broad, floating leaps; Raissa Struchkova, also 31, whose style in such a work as The Fountain of Bakhchisarai is warmly brilliant rather than deeply emotional; Marina Kondratieva, a rising star at 23, whose lightness and lyrical qualities make her a notable Cinderella...
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