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Playwright Hart has tried manfully to grapple with these problems. He has filled things out by carefully documenting his situation-by tracing the causes of the divorce, dramatizing the refusal of either parent to hand Chris (Richard Tyler) over to the other, having both parents (Martha Sleeper, Shepperd Strudwick) appeal to the boy. (In the end he chooses his father.) And Playwright Hart has gone inside Chris's mind by bodying forth the conflicting fantasies that float through it-Chris reuniting his parents by killing himself just after being decorated by President Truman; Chris, a great man of affairs...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Dec. 9, 1946 | 12/9/1946 | See Source »

Hart has written a play of divorce, the crisis of which centers around the decision of the child, Christopher Blake, as to whether he will choose to live with his mother or with his father. The scenes between the mother and the father, played by Martha Sleeper and Shepperd Strudwick, and between the boy and each of his parents are very effective. All three of the principals are excellent, particularly the boy, Richard Tyler, who may be remembered as the urchin who boxed with Ingrid Bergman in "The Bells of St. Mary's," and Hart has fashioned for them some...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 11/14/1946 | See Source »

...cast, Tullio Carminati, as Jumel, is excellent, and Irene Bordoni, playing a French dressmaker who becomes a countess, is, as always, delightful; Shepperd Strudwick, the Napoleon addict is adequate, but his performance lacks sureness. Frederick Loewe's music is pleasant if not catching, the outstanding number being "Why Can't This Night Last Forever." William Dollar's choreography is often striking, but over balanced with quasi-ballet. Albert Johnson's revolving sets are superb...

Author: By V. F. Jr., | Title: The Playgoer | 11/23/1938 | See Source »

Tight Britches (by John Taintor Foote and Hubert Hayes; Laurence Rivers, Inc., producer) pries into the sexual problems of a handsome young North Carolina mountaineer (Shepperd Strudwick) whom neither God nor the girls can let alone. Off and on he turns down the prettiest wench (Joanna Roos) and the richest heiress in the hills (Virginia Milne) and reiterates his call to preach the Word. Finally the strumpet's father takes up his squirrel rifle and puts a bullet through the novice preacher's heart. Sighs the boy's aunt: "You was too big for your britches...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Sep. 24, 1934 | 9/24/1934 | See Source »

...Guild, producer) is high propagandist art. Playwright Anderson (Saturday's Children, Elizabeth the Queen) bases his tract on an heroic premise : that all save one of the nation's 435 Congressmen are crooked. The honest one is a young school-teacher from Nevada named Allan McClean (Shepperd Strudwick), junior member of the House Appropriations Committee...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Mar. 13, 1933 | 3/13/1933 | See Source »

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