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Berlin's Communist Wall has many faces. In the north and the south, where the French and American sectors touch Communist territory in the city's outer fringes, the classic form of Soviet bloc frontier barrier is rising swiftly; here is row after row of barbed wire strung on concrete posts, and behind the wire are the wide plowed strips of earth visible at all times to the guards who wait with searchlights and machine guns in the squat, brown-painted wooden watchtowers near...

Author: /time Magazine | Title: World: BERLIN'S JAGGED WOUND | 10/20/1961 | See Source »

...Opal, Actress Heckart is almost as good as a box-office refund. Whether she is brewing her own brand of dehydrated tea from 17 teabags strung side by side on a clothesline, or vaulting through space to pounce on someone's stiff neck with a chiropractical jerk, or cheerily offering to chase the bats out of the guest bedroom, Eileen Heckart is wildly and wistfully amusing. Garbed in the remnants of remnants, she is an endearing clown-waif in the classic Chaplin tradition...

Author: /time Magazine | Title: The Theatre: Everybody Loves Eileen | 10/20/1961 | See Source »

...rope strung from the leaky roof hangs a paint bucket into which drops of water plunk like the tick-tock of doom." See THEATER, Unwrapping Mummies...

Author: /time Magazine | Title: A Letter From The Publisher: Oct. 13, 1961 | 10/13/1961 | See Source »

...room that looks like the Pharaoh's tomb of a junkman. There are bales of yellowed newspapers, moldy tennis rackets, scattered bureau drawers, a sink bowl, and a disconnected gas stove graced with a gilt plaster Buddha. There is a lawn mower and a blowtorch. On a rope strung from the leaky roof hangs a paint bucket into which drops of water plunk like the tick-tock of doom. Into this dusty, chilly tomb, English Playwright Pinter deposits three mummies of modern man, who proceed to strip off each other's wrappings with ripples of humor, glints...

Author: /time Magazine | Title: Theater: Unwrapping Mummies | 10/13/1961 | See Source »

Forced to fall back on second-line pitching when Bob Turley developed a sore arm and Art Ditmar totally lost his effectiveness. Houk unhesitatingly moved Youngsters Roland Sheldon (10-5) and Bill Stafford (13-9) into the regular starting rotation. The high-strung Yankees, who had detested dictatorial Manager Stengel, responded enthusiastically to Houk's subtler brand of discipline. At a time when his every swing counted in his assault on Babe Ruth's home-run record (TIME, Sept. 29), Roger Maris bunted down the third-base line to squeeze the winning run across the plate...

Author: /time Magazine | Title: Sport: Old Stoneface & the Major | 10/6/1961 | See Source »

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