Word: struthã
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Takashi Shimizu, director of both the original Japanese release and the American remake, exhibits a deft hand in the film’s opening third, combining Ozu-like pacing and Hitchcockian suspense with images reminiscent of Thomas Struth??€™s Shinju-ku (Skyscrapers) series. Indeed, Shimizu’s Tokyo (like Struth??€™s Tokyo) is an infinitely complex urban cityscape where all the disparate, chaotic elements seem to coalesce in a single symbiotic moment...
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