Word: stuarda
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...promised that she would stay on at City Opera?as co-director with Julius Rudel, 57, her mentor and director of the company for 21 years. Last week "Good Queen Bev," as Rudel has called her since her smashing performances in Donizetti's royal trilogy (Roberto Devereux, Maria Stuarda, Anna Bolena), took on the biggest and riskiest role of her career. Next July she will become the company's sole director: Rudel has decided to devote all his energies to conducting...
...Ballad of Baby Doe. She achieved her major reputation with a blinding display of Baroque wizardry 8% years ago in Handel's Julius Caesar. Subsequent years brought triumphs in Massenet's Manon; Donizetti's Lucia di Lammermoor and trilogy of queens, Roberto Devereux, Maria Stuarda, Anna Bolena; and more recently, Bellini's / Puritani. Vocal fireworks are Sills' glory. She has a light, lyric coloratura so clear and swift that it seems phosphorescent. Though she is the best Manon around, her trademark has become the revival of obscure operas of the 19th century bel canto...
...production puts Sills back into English history, where in recent years she has triumphed in the Donizetti trilogy devoted to three queens-Elizabeth I (Roberto Devereux), Maria Stuarda and Anna Bolena. I Puritani was the last opera Bellini wrote before he died in 1835 at age 33. Its graceful and ornate vocal writing actually suits Sills' light voice better than Donizetti's heavyweight scores. This is music to float jewels on. Sills' succession of bravura displays in the mad scene ("Qui la voce sua soave ") is like a string of emeralds, each deeper and more lustrous...
...major New York stage production since 1850, Anna Bolena is a bel canto curio revived to enable Sills to complete her long-planned and justly famed Donizetti trilogy. As with the other queens of the Tudor era, Elizabeth I in Roberto Devereux and the Queen of Scots in Maria Stuarda, Sills proves again that she is a singing actress without peer. Stage Director Tito Capobianco gives her full rein: she even takes final leave of her lord and mate Henry VIII by giving him a stinging slap in the face that is a triumph of histrionics over history...
...autobiographer, Bing opts mostly for one side of the story-his. He says nothing of his glaring failure to bring Soprano Beverly Sills to the Met, for example, but grows highly petulant because she and the New York City Opera scheduled Donizetti's Tudor trilogy (Maria Stuarda, Anna Bolena, Roberto Devereux) at the same time he was planning it at the Met for the Spanish prima donna Montserrat Caballé. "We finally accepted the fact that Beverly Sills of the City Opera, having been born in Brooklyn, was entitled to priority in the portrayal of British royalty," Bing bitchilly...