Word: stuarts
(lookup in dictionary)
(lookup stats)
Dates: during 1930-1939
Sort By: most recent first
(reverse)
...when he expanded quickly and without funds. Last year I was temporarily silenced when Fox Film fought off receivership by selling $55,000,000 notes to mature in twelve months. Since then I have haunted Harley Lyman Clarke, who is president of Fox. Also I have haunted Halsey, Stuart & Co. and Pynchon & Co. who played close to Fox. If you fail to silence me, nobody else can. What are you going to do, Banker Wiggin, when those $55,000,000 notes fall...
...available, Wall Street, judging by the market, did not agree with that opinion. Warner Bros. Pictures bonds may be bought for 50? to 60? on the dollar. Paramount Publix common stock yields almost 10% at its current price. Many mortgage bonds of Fox Theatres, sold by Halsey, Stuart & Co., can be purchased at between 50? and 70? on the dollar. Loew's common sells at less than 52 times earnings...
Leading parts in the cast are being taken by E.B. Cole '32 as the hero, Crispin Cooke '32 as the Spanish heroine. Stuart Scott '33 as the opponent to the course of true love, and M.D. Wheeleck '31 as chief comedian. F.O. Canfield '32 and B.E. Pollak '32 also have important roles...
...Robert Stuart Fitzgerald '33, of Springfield, Illinois, was awarded the first or Lee Wade prize in the annual Boylston and Lee Wade contest, which was held last evening before an audience of about 150 people in Sanders Theatre. The award was made to Fitzgerald for his recitation of a selection from "Heart of Darkness" by Joseph Conrad. At the same time the judges, R. W. Boyden '85, R. T. Bushnell '18, I. L. Winters '86, Associate Professor of Public Speaking, Emeritus, awarded the Boylston prize of $50 to John James Ryan, Jr. 33 of Jamaica Plain, for his recitation...
...common: none needed special advertising; all were eminently salable-for the proper price. They were pictures-anyone-would-like-to-own, ranging from 15th Century Venetian Cima de Conegliano to ultra-modern Pablo Picasso. Included were important works by such headliners as Rubens, Fragonard, Van Dyck, Gainsborough. Gilbert Stuart, Cezanne, and those favorites of jocular undergraduates, Neri di Bicci and Pieter de Hooch. It was impossible to decide which was the most important Back-room Masterpiece, but almost certainly the most expensive was the Wildenstein Galleries' Fragonard, Le Pont de Bois, for which they would like to receive about...