Word: stuckeyed
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...claiming that it was unfairly accused of fraud on a Prodigy bulletin board. Prodigy, like other online service providers have always said they're simply a communications conduit -- much like a phone company -- and have claimed that they're not responsible for what their customers post. "Liability," says Kent Stuckey, general counsel of Compuserve, "could present a chilling effect on the free flow of information." Still, this week, Prodigy agreed to try and track down the person who allegedly vilified the Long Island firm. It will also tell the court how it monitors message boards.Post your opinion on theNew Mediabulletin...
...version of proposed legislation makes bulletin boards responsible for copyright infringements on their piece of the Net. Needless to say, companies like American Online and CompuServe aren't exactly pleased with the idea. It's like making "the highway responsible for the reckless drivers that use it," protests Kent Stuckey, general counsel of CompuServe. On the other side: copyright holders like music publishers and publications. Bulletin boards "are profiting" from the work of artists, says Susan Mann, attorney for the National Music Publishers' Association. Public hearings on the issue are being held this month...
HARTFORD: Bond 5-7 1-2 11, pritkin 2-6 5-6 11, Baker 8-16 5-8 21; Ayer 5-8 2-2 15; Rodenck 5-5 0-0 10; Ellison 0-3 1-2 1; Spence 35 0-0 6; Stuckey 1-2 0-0 2; Campbell 2-4 0-1 4; Truesdale 2-2 0-0 4; Totals...
...Paris found they were all planning separate shows on different aspects of Gauguin -- his prints, his Brittany paintings and his Tahitian work -- it seemed obvious to merge the three. The result, thanks to its curators (Francoise Cachin and Claire Freches-Thory in France, Richard Brettell and Charles F. Stuckey in the U.S.), is both a curatorial masterpiece and the most complete view of its subject ever offered in a museum show...
Such an image of Gauguin, as Stuckey and Brettell show by exhaustive research, is mostly moonshine. The brute of fiction was not only a superbly intelligent painter but also a writer who left, as Brettell points out, the "largest and most important body of texts, illustrated and otherwise, produced by any great artist in France since . . . Delacroix . . . That he has always been treated as a businessman-turned-artist rather than an artist- turned-writer shows the extent to which his literary achievement has been undervalued...