Word: student
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Dates: during 2000-2009
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...really try to emphasize the students in every aspect—the photographers, the models, etc. After the show, we send the designers pictures, so it’s really great to have these photographers get exposure. We’ve tried to strengthen our relationship with Harvard, and we’re going to become an official student organization in the spring...
Also, while Harvard’s officers didn’t hand out any arrests or citations last night, city police might not be so accommodating. Yet students who chose to return to future sleep-outs planned in Boston will have to do so knowing that Harvard’s standard protocol stipulates that any student who is arrested is subject to a six-month mandatory leave and that the university has declined to state whether it would apply the same standard to those arrested while sleeping...
...mentioned ended up suffering mightily because of their use of drugs. This may well be a question worth researching, but I would never suggest that someone try to enhance their creativity by experimenting with drugs in an unsupervised setting.” Like the many greats who preceded them, student artists—both poets and painters—use drugs to ease the process of creation...
...oftentimes smoke marijuana before going to the seven hour VES classes or before I work on a piece,” says one student, “but less for creative inspiration than for getting the mind and body into a sort of a mode for allowing the creativity to come. It helps you not get fixated on a certain idea or color and allows a little more flow in the creation of whatever you’re making...
...Brief Interviews with Hideous Men.” Played earnestly by John Krasinski—who also directs the movie—Test Subject #20 (real name: Ryan) is just one of many confused and impetuous males to find themselves uncomfortably put on the spot by Ivy League graduate student named Sara. Krasinski’s eponymous adaptation of a 1999 short story collection by the late David Foster Wallace takes the blunt emotional starkness of the written interviews and puts them into motion on the screen in such a way that the audience can’t help...