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...much of it is true?It's all a true story. Every bit of it. We wanted to go from "Based on a True Story" to "A True Story" in the credits. To do that, I had to work with Universal Studio's legal department and go through every single scene and provide attribution. Every single scene in that film can be traced to something. I spent a year researching this thing and ended up with 6,000 pages of documentation...

Author: /time Magazine | Title: Changeling Writer J. Michael Straczynski | 10/23/2008 | See Source »

...made Hollywood movies. Why come back to making independent films? Paul Moore, Boston I was really curious about how the studios worked, how mainstream movies were made and how I could use my sensibility within the studio system. Now I've come back to the indies because I got on that treadmill and I couldn't get off for a while...

Author: /time Magazine | Title: 10 Questions for Wayne Wang | 10/23/2008 | See Source »

...Swan Lake.” Though lacking overwhelming charisma, he made up for it with his superb partnering of an audacious Cornejo. Her abrupt, instinctual shifts in direction as she leapt at his shoulder felt as though they could hardly have been agreed to in the rehearsal studio. The climactic pas de deux consisted of serpentine twists and wraps and Soviet-style lifts, and what was lacking in emotional rapture was expressed in sheer physicality...

Author: By Erica A. Sheftman, CRIMSON STAFF WRITER | Title: Cinderella Puts On Her Ballet Slippers | 10/23/2008 | See Source »

...industry now to when you were first getting started?It was different then. It was a lot more spontaneous. Kids were coming to the city-beautiful girls, good looking guys-and they'd sell themselves around town, hoping someone would pick them up and give them a six-month studio contract. It seems much more calculated now. Not to mention television. Television just eats up everything. You can have a career start over the weekend on television...

Author: /time Magazine | Title: Actor Tony Curtis | 10/17/2008 | See Source »

...much more subdued affair than is apparent on a rousing 2002 cut of “Lonesome Day Blues.”To a certain extent, any release from the Bootleg Series is useless to all but the serious Dylan fan. Over the years, Dylan’s studio albums have evolved into institutions of their own—even that commercial joke and critical gaff, 1970’s “Self Portrait,” looms mythic in the catalogues of completists—and the Bootleg albums that deal explicitly with rarities and outtakes smack...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bob Dylan | 10/17/2008 | See Source »

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