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...Wayne's World was one of the few SNL movie spin-offs that worked. It set Myers on a mostly successful Hollywood career, whose strangest entry, the indie 54 (in which he played Studio 54 co-owner Steve Rubell), was also the most promising. But Myers didn't do any other dramatic parts, maybe because so much money was thrown his way to keep reprising Austin Powers and Shrek. And it's taken him longer and longer to devise new characters. Pitka is his first in movies since Austin Powers (and Dr. Evil...

Author: /time Magazine | Title: Love Guru: Transcendent ... Not! | 6/19/2008 | See Source »

...remarks about his vocation, Winston always emphasized the artistic impulse over the tinkerer's gift. "I am not a technician," he said. "I am techno-ignorant." (Here, he must have been kidding to make a point, since he was in charge of the Stan Winston Studio, which constructed these elaborate, often revolutionary mechanisms in addition to devising them.) "But I love creating characters and telling wonderful stories." Another hint to Winston's humanity: his insistence on paying at least as much attention to his family as to his job. He leaves behind his wife Karen, their two children and four...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

...Before Winston, there were two masters of horror makeup who names are so ordinary, they could be scrawled in a motel register by a teen seeking furtive sex: Jack Pierce and Dick Smith. Pierce, during his time at Universal Pictures in the 30s and 40s, created the studio's entire monster menagerie: Boris Karloff's Frankenstein and the Mummy, Bela Lugosi's Dracula, Lon Chaney Jr.'s Wolf Man, Claude Rains' Phantom of the Opera...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

...lovingly detailed rendering of the grotesque had become fashionable. Back then, most films were photographs of people talking, and action movies were photographs of people fighting. Young Stan arrived in town hoping for work as an actor. With no jobs coming, he joined the Makeup department at Disney. The studio had its live-action and animated films, but it had also pioneered audio-animatronics in its theme parks and at the 1964-65 New York World's Fair. It might seem a long leap from the international singing dolls of "It's a Small World" t0 the troop of steely...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

...seven-ton T. Rex he built was only part of the visual trickery. The rest was the breakthrough digital sorcery supplied by George Lucas' Industrial Light & Magic. Since then, fans have wondered apprehensively, is Winston's an obsolescent art? (In his last days he was transforming his studio to emphasize the digital.) Will makeup effects soon seem as anachronistic as the papier-mache monster suits worn in the grade-Z horror movies...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

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