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...want it to be for a song so purely “pop” that it betrayed the honesty and rawness of their best work. I felt a similar ambivalence toward “Hard Candy,” the Counting Crows’ last studio effort from 2002, which featured more than the expected one-or-two radio-friendly pop/rock tracks. If in recent years it looked like the Counting Crows were at risk of alienating the cult of listeners who have come to expect the kind of piercing lyrics for which singer Adam Duritz is known, their...

Author: By Claire J. Saffitz, CRIMSON STAFF WRITER | Title: Counting Crows | 4/11/2008 | See Source »

Champagne is known to be expensive, but Veuve Clicquot's Vertical Limit champagne cellar (right) by Porsche Design Studio takes the acquisition of bubbly to new heights. The 6-ft.-tall (1.8 m) Vertical Limit houses 12 magnums of vintage Veuve Clicquot?each behind a hand-soldered door?and costs $70,000. Only 15 have been made, and eight have already sold. This summer the cellar line develops further with a three-magnum model...

Author: /time Magazine | Title: Wine Divine | 4/9/2008 | See Source »

...first Patek Philippe Salon in the U.S. opens inside Tiffany & Co.'s Fifth Avenue flagship this month. The 3,000-sq.-ft. (279 sq m) Art Deco--inspired space was designed by French architect Patrick Gaguech and will feature a library, personal-consultation areas and a repair studio. Patek's entire current line will be on hand, as will a collection of historical pieces on loan from Patek's museum in Geneva...

Author: /time Magazine | Title: Patek at Tiffany's | 4/9/2008 | See Source »

...Citizen Kane (which came out less than six months before). This short film, with Joseph Schildkraut as the guilt-stricken killer, is positively a-swill in Wellesian tropes: the crouching camera, the chiaroscuro lighting, the mood-deepening use of silences and sound effects. But MGM wasn't a studio that encouraged innovation or eccentricity, and Dassin's seven feature films there are program pictures that hold no, repeat, no hint of his future gift for putting torment and teamwork on film...

Author: /time Magazine | Title: Master of the Heist | 4/6/2008 | See Source »

That’s two and a half years in the studio, not on tour. A second, and possibly more problematic obstacle to the band’s success, is the drastic difference between their recorded material and the more organic, less polished quality of their live show. The degree to which their MySpace fans will be willing to embrace a crossover from highly produced studio project to funk jam band remains to be seen...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: French Connected | 4/3/2008 | See Source »

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