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Word: studio (lookup in dictionary) (lookup stats)
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...North American sales and marketing initiatives. "We needed expertise," explained Reuss, whose latest re-organization also sent Bryan Nesbitt, who had been general manager of the Cadillac Division since last fall back to GM's design staff where he will be in charge of GM's advance design studio. "Bryan's very talented. We need his expertise in design," said Reuss. (See pictures of American muscle cars in movies...

Author: /time Magazine | Title: For GM, It's Two Steps Forward, One Step Back | 3/4/2010 | See Source »

...Asleep at Heaven’s Gate,” they were dropped by their Sub Pop label, but found a home with Jack Johnson’s Brushfire Records. That album found them moving in a new direction, embracing a more highly produced aesthetic that used studio effects to create a spacey and dreamy sound...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

...band continues in a similar direction on “Permalight,” not only by incorporating studio sounds, but making them a fundamental part of the album. If a return to the lo-fi sounds of their early recordings seemed unlikely after “Asleep at Heaven’s Gate,” “Permalight” makes it seem almost impossible. Rogue Wave haven’t lost their penchant for crafting incredibly appealing hook-laden melodies, which ensure the memorable impression “Permalight” leaves...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

...Rogue quietly asks a simple romantic question, “Will I follow you down the line?” As soon as he asks, the acoustic guitar picks up and the listener is drawn into a hook-laden, delightfully melodic song. The most pleasing aspect is the limited studio production, which leaves mostly unadorned the song’s mix of acoustic and electric guitar, drums backed up with handclaps, and bass...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

Rogue Wave fail to completely move away from their indie intimacy, yet can’t come to terms with embracing their newfound love of the studio, which is better used on the album’s first half. Instead, the band occasionally takes a middling arena-rock approach, weakening the songs by starving them of the sentiment of their earlier work, while trying to build upon the grandiose and bombastic statements of their third album...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rogue Wave | 3/2/2010 | See Source »

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