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...Professor of Film Studies David Rodowick notes that Burgin’s selection is “part of a plan we’ve had in VES...bridging the studio art and the film and video sides of installation art.” According to Rodowick, this plan has recently been supplemented by the department’s hire of Amie Siegel, whose work combines film, video, sound, and installations...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: Little House on the Charles: Burgin Shacks Up at Carpenter | 3/15/2007 | See Source »

...Karen J. Adelman ’07, a VES concentrator, brought the group to her Linden St. studio...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: Little House on the Charles: Burgin Shacks Up at Carpenter | 3/15/2007 | See Source »

...request and view individual pieces, is one of the clearest manifestations of didactic ambition. “They provide close, intimate encounters with our works of art,” Manoogian says of the spaces.The Allston building will also house conservation labs, which Daly compared to a Renaissance studio or Parisian atelier. Both these and the study centers will be visible from the street, relating the activities of the museum to city outside.The center’s public education program will ideally serve as a cornerstone for its interaction with the neighborhood. Children will be able to paint and draw...

Author: By Anna K. Barnet and Laura A. Moore, CRIMSON STAFF WRITERSS | Title: Moving Pictures | 3/15/2007 | See Source »

...interest in “Love Actually”; and young director Zack Snyder. Snyder got interested in making “300” into a film several years ago, when he first read Miller’s book. The greatest obstacle, according to the director, was getting studios to agree to produce the movie in the first place. Without a script, he failed to convince anyone to finance “300,” and eventually decided to pursue other projects.“We went pretty much to every studio at that time and we pretty...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: Behind the Armor: The Tough Guys of ‘300’ Give Butt-Kicking Secrets | 3/8/2007 | See Source »

...indie sound. On first listen, the mellow beats and serene vocals make “The Third Hand” seem like any other quasi-electronic album. But when you realize that RJD2 (born Ramble John Krohn) wrote, recorded, and produced the entire album by himself in his basement studio, it’s hard not to be impressed by the scope of the project or the seemingly limitless number of tracks making up each song. Among other instruments, RJD2 uses electric guitars and pianos, synthesizers, an MPC 200XL sampler, and his own vocals on nearly every track?...

Author: By Anjali Motgi, CONTRIBUTING WRITER | Title: RJD2 | 3/8/2007 | See Source »

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