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...loss, it thought, of one of its most talented, and reclusive, pianists. Obituaries reported that the musician retreated from concert recitals after being diagnosed with cancer in the early 1970s but, over the next 30 years, Hatto recorded more than 100 CDs of virtuoso performances in a private studio near her home in Royston, England. The recordings, published by her husband William Barrington-Coupe's small Concert Artist label, wowed critics, one of whom called Hatto in 2005 the "greatest living pianist that almost no one has ever heard...

Author: /time Magazine | Title: Of Concertos and Copyrights | 2/22/2007 | See Source »

...retrospective this week devoted to Jeff Wall, a Canadian artist who started making staged pictures around the same time as Sherman. (The Wall show continues at MOMA through May 14, then travels to Chicago and San Francisco.) In 1977, when he was 31 and teaching art history and studio practice in his hometown of Vancouver, Wall took his family on a trip to Europe, where he spent a lot of time looking at the old masters in the Prado. His hours with Velázquez, Zurbarán and Goya got him thinking. Was it still possible, in the 20th century...

Author: /time Magazine | Title: Photography: If You Build It They Will Come | 2/22/2007 | See Source »

...about his debt to filmmaking, his desire to achieve the beguilements of cinema. (One day someone will have to attempt a history of cinema-envy in the arts.) Some of the photographers who make staged images have virtually become directors. The American artist Gregory Crewdson operates like a small studio. He conceives his pictures, casts them and then has complicated sets constructed and lit by large crews. Klieg lights and fog machines are involved. Like a good director, he doesn't even always get behind the camera himself. He's directing--somebody else can click the shutter...

Author: /time Magazine | Title: Photography: If You Build It They Will Come | 2/22/2007 | See Source »

...Herbert Matter and painter Mercedes Matter—had a close relationship with Pollock, which seemed to support the wrapper’s assertion that the paintings were authentic.The HUAM report reads, “Alex Matter believes that Pollock completed these works in Herbert Matter’s studio in New York City between 1946 and 1949, and that he might have used paints developed by Robert (Robi) Rebetez, a Swiss art supplier and Herbert Matter’s brother-in-law.” Almost as soon as they were discovered, scholars began to question whether the works...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: Potentially Pollock? | 2/22/2007 | See Source »

After several tumultuous years of creative tensions, personal differences, and record label difficulties—not to mention a grand parting of ways—The Ataris have finally re-emerged with “Welcome the Night,” their sixth studio release. However, this phoenix lacks the fire to make it the glorious rebirth the pop-punk-cum-alternative band had planned for its first album since 2003. Despite a strong effort by the recently resuscitated group (lead singer Kristopher Roe is the only original member remaining), you may be left wondering what’s become...

Author: By James F. Collins, CONTRIBUTING WRITER | Title: The Ataris - "Welcome the Night" (Sanctuary Records) | 2/22/2007 | See Source »

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