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...little easier to spot is that certain quality that's unique to British filmmaking. "Successful British films have always been culturally specific in some way, but are completely universal in the way they tell their stories," says Colin Vaines, executive vice president of European production and development for U.S. studio the Weinstein...

Author: /time Magazine | Title: One for the Little Guy | 1/31/2007 | See Source »

...from battle wounds as an embedded reporter in Baghdad three years ago. The exercise equipment we had at Walter Reed Army Medical Center in Washington was old, the therapy wards and gyms overcrowded. There was no "flowrider" to help rebuild abdominal muscles in a water slide, nor laser gun studio to regain digital function by firing M4 replicas against video images. We made do with the best the government had to offer...

Author: /time Magazine | Title: New Hope for the Casualties of War | 1/30/2007 | See Source »

...lung cancer; in Del Mar, Calif. Fleeing Cuba after the revolution of 1933, he formed a Latin dance band, making his film debut in Too Many Girls (1940), where he met and married his leading lady Lucille Ball. While co-starring with her in Lucy, he headed their production studio, Desilu, pioneering in the use of film for TV programs. The approach preserved Lucy and other shows, resulting in additional income from reruns. Two years after Ball and Arnaz divorced in 1960, he sold his interest in Desilu; he interrupted his retirement to produce pilots for proposed TV series, only...

Author: /time Magazine | Title: Milestones: Dec. 15, 1986 | 1/26/2007 | See Source »

...wasn't hard to spot him in the London TV studio canteen. The place is like the science fiction movie Logan's Run: beautiful twentysomethings wandering around with clipboards who will no doubt be sacked when they turn 30. Even in these environs, Mika stands out. He's wearing a sweatshirt, jeans and sneakers, but the jeans and sneakers are bright white and the jeans an even brighter turquoise. He is, of course, charming. "Mixed reactions? Sure, I get them all the time. I'm a Marmite artist," Mika says, referring to the pungent yeast-based spread that Brits...

Author: /time Magazine | Title: A Prejudice Goes Pop | 1/23/2007 | See Source »

...first proper gig was, aged 11, in the choir in Richard Strauss's Die Frau Ohne Schatten at London's Royal Opera House. He went on to study at the Royal College of Music. At night, he worked on his pop songs or waited tables to pay the studio bills. Eventually a record company showed interest - but only if he did as he was told. "I wrote Grace Kelly as a kind of reaction to that, as a little kind of stick-you to the music industry," says Mika. On it he sings, "Should I bend over/ Should I look...

Author: /time Magazine | Title: A Prejudice Goes Pop | 1/23/2007 | See Source »

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