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...intimate affairs: the man, the dog and one or two other characters. Were-Rabbit creates a panorama of rural England: dozens of humans with the standard Nick Park facial expression (dazed) and eccentricities (too much mouth and not enough teeth). Aardman's feature films are sponsored by the Hollywood studio DreamWorks, but their tone and humor are totally, defiantly, blitheringly English, in a manner reminiscent of the classic Ealing comedies. Were-Rabbit is admirably old-fashioned in another way: while the rest of the animation world has gone to computer-generated (CG) features, 95% of this film is handmade...

Author: /time Magazine | Title: A Dog And His Man | 10/3/2005 | See Source »

...violence but his directorial professionalism that brings interesting actors into some of the best roles of their careers. Cronenberg notes that while studio execs don’t always understand him, “in terms of actors, for example, my reputation is very good...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: The Dualistic Philosophy of David Cronenberg | 9/30/2005 | See Source »

...that emphasize style and higher performance. Yet the brand remains a problem for GM; it isn't cool like Toyota's Scion, prized for its reliability like Honda or renowned for its engineering like BMW. Not even Oprah's giveaway of 276 G6 sedans to her TV studio audience, which generated a trunkload of press, did much to lift sales...

Author: /time Magazine | Title: Review: The Pontiac Solstice | 9/29/2005 | See Source »

...said I'd been flying for 100 years with the thing. So I went into the studio on Thursday and recorded three songs. I wrote one on the way there and two more right away after I recorded the first one. The whole album's chronological--I wrote and recorded in the order it appears on the record. Then I went back up to New York on Monday for a presurgery thing, flew back to Nashville, wrote and recorded [songs] four, five, six, seven, eight and most of nine and 10. And then I got admitted, and they...

Author: /time Magazine | Title: The Resurrection of Neil Young | 9/26/2005 | See Source »

...standard critical line on director Robert Wise, who died last week in Los Angeles at 91, was that his films lacked personality, those visual signatures and obsessive themes that set true auteurs apart from studio hacks for hire. He also had the critical misfortune to direct the Oscar-winning Sound of Music, that melting pile of Alpine slush that was for a long time the most popular movie ever released. But Wise, who broke in as a film editor-earning praise for Orson Welles' Citizen Kane and unjustified calumny for recutting The Magnificent Ambersons after Welles abandoned it-mastered over...

Author: /time Magazine | Title: Milestones | 9/19/2005 | See Source »

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