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...decision desk," who will sift through the NEP data, from knowing the calls made by other networks. ABC News has a new policy of not calling a winner if the margin is less than 1%, even after all precincts have reported. CBS has moved its decision desk into the studio to give viewers a window into the process. "We'll be trying to explain very clearly where our information comes from, that it's not someone standing over a crystal ball and going 'poof,'" says Kathleen Frankovic, director of surveys for CBS News. Stay tuned for a long night...

Author: /time Magazine | Title: Campaign '04: On Election Night...: Will the Networks Get It Right? | 11/1/2004 | See Source »

Payne brims with heartening examples: low-budget successes like Fahrenheit 9/11 and Lost in Translation, less conventional studio fare like Spiderman 2 (“just a great film”)—even the fact that he was able to make Sideways “with no movie stars” gives him hope...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Director Presents ‘Sideways’ View of Life | 10/29/2004 | See Source »

...interest of not forgetting the songs they’d written, the band entered an on-campus studio in the middle of finals period to lay down a primitive demo. On a whim they submitted said demo to local nightclubs...

Author: By William B. Higgins, CRIMSON STAFF WRITER | Title: Grrl Power Propels Plan B to Type A Success | 10/29/2004 | See Source »

...group, none of the songs on the new double-album—which bookends the Pixies’ career Phase I—is destined to be a revelation. Disc One contains fifteen demos recorded by Mr. Francis (perhaps apocryphally) the day before the Pixies went into the studio to record their debut Come On Pilgrim; Disc Two offers almost as many remakes of Pixies songs recorded by Mr. Black just before the since-much-talked-about reunion. Disc One is, at most levels, what one might expect almost any demo tape to sound like: the pleasure here comes almost...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/29/2004 | See Source »

Pixar, though, is also the studio whose previous two blockbusters, Monsters, Inc. and Finding Nemo, were about fathers or father substitutes fretting over their young charges. And it's the place that routinely achieves the unexpected and finds a huge audience to devour it. "Oftentimes people call animation a genre, and that's completely wrong," Bird says. "It's a medium that can express any genre. I often think people stress the technology too much. The heart of the matter is still characters...

Author: /time Magazine | Title: Movies: All Too Superhuman | 10/25/2004 | See Source »

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