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When he was twelve years old, Kareem Jackson, better known as Teflahn Poetix (“Tef”) started writing rap songs. By the time he was twenty, he began sleeping in the recording studio, spending his days recording albums and his nights competing in hip hop battles all over St. Louis, eventually acquiring a small following...

Author: By Samuel M. Simon, | Title: Hip Hop and Hope | 10/5/2004 | See Source »

...knew only as Eamon, entered our apartment twice, sometimes three times in the dead hours when we weren’t in class and it was too hot to be outdoors. Our hearts would race through the Eamon’s emotions receiving the phone call in the recording studio revealing his girlfriend’s infidelity (“You even gave him head,” Eamon rails to the song’s ex-lover), reflecting on the relationship’s good times (“I even said you were my number one?...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: I Want My Vasco Rossi and Eamon | 10/1/2004 | See Source »

...Toback’s aversion to studio filmmaking could hardly be described as ideological. His films typically take on issues that are not commonly approached in contemporary mainstream filmmaking...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: The Self-Exposure of a Harvard Man | 10/1/2004 | See Source »

...denouncement of the tenets of Hollywood cinema, but, nonetheless, it’s difficult to deny that very few mainstream directors could pull off not only the sexual content, but also some of the visual and especially sonic experimentation of When Will I Be Loved in a studio setting. This is to say nothing of his earlier films, particularly considering that his latest is actually more digestible than more intense offerings like 1999’s racially charged drama Black and White...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: The Self-Exposure of a Harvard Man | 10/1/2004 | See Source »

...It’s a cocktail of zen, Sartre, and nihilism,” Russell says. He talks of the film’s political message against corporate behemoths like Warner Brothers, the studio that is refusing to distribute Russell’s new documentary about the current War in Iraq. But he demurs from answering queries about the film’s relationship with 9/11, an incident that is specifically referred to by Wahlberg’s character...

Author: By Michael M. Grynbaum, CRIMSON STAFF WRITER | Title: Who Hearts David O. Russell? | 10/1/2004 | See Source »

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