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...seems to want to extract the truth of U.S. foreign policy from its many layers of spin. So he should probably know better: Fictionalization obscures meaning, marginalizing from the public consciousness what deserves a place at the forefront. The stateside studio is the place for genre experimentation; original footage of a war zone’s unseen chaos speaks for itself...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 10/1/2004 | See Source »

...soft-core-porn director and master of the "sexploitation" genre; in Hollywood. A World War II combat cameraman and onetime Playboy-centerfold photographer, Meyer directed titillating '60s classics like Faster Pussycat, Kill! Kill! and Vixen. He borrowed from his own genial, breast-obsessed farces for 1970's nutty major-studio masterpiece, Beyond the Valley of the Dolls, written by a young Roger Ebert. He also produced, financed, wrote, edited and shot 21 other films, some of which have been acquired by institutions such as the New York Museum of Modern Art as prime examples of late-20th-century pop culture...

Author: /time Magazine | Title: Milestones | 9/27/2004 | See Source »

OPRAH WINFREY, to members of the studio audience at the season premiere of her talk show, each of whom received a new Pontiac...

Author: /time Magazine | Title: Verbatim: Sep. 27, 2004 | 9/27/2004 | See Source »

...capital of creative inspiration. In the past few years, designers like Hedi Slimane of Christian Dior and labels like Hugo Boss have looked to the former East Berlin for inspiration, attracted by its edgy art and music scenes and fashion-forward street life. Slimane rented a studio there for three years while producing a glossy photography installation and a book about the city. Last fall Hugo Boss, which is based in Metzingen, in southern Germany, held its annual fashion show and party in an abandoned Berlin post office. The look of Berlin--a low-key mix of vintage leather coats...

Author: /time Magazine | Title: Economic Recovery: Fashion: Creative Capital | 9/20/2004 | See Source »

Creative types have long been drawn to Berlin because of low rents, ample studio space and the relatively low cost of living. The German capital's last cultural heyday was in the 1970s, when the likes of David Bowie and Iggy Pop lived in the then divided city. Now musicians, artists and designers from as far afield as Denmark and Japan are giving Berlin a young vibe again--nearly half of its 3.4 million residents are under 35. "Berlin is not a rich city, so the scene is not at all about money or society or status," says Slimane. "People...

Author: /time Magazine | Title: Economic Recovery: Fashion: Creative Capital | 9/20/2004 | See Source »

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