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Perry doesn't need outside directors, writers or big-name co-stars; he can do box office all by himself. Made on the cheap at his studio in Atlanta, his raucous, down-home, Christian-tinged comedy-dramas bring out imposing masses of African Americans - the largest niche audience in the country. This was his third highest opening weekend, behind two movies that featured his tart-talking drag grandma in the title: Madea's Family Reunion and Madea Goes to Jail, which respectively grossed $63.3 million and $90.5 million. By doing the Lord's work with a touch of sass, Perry...
...retirement party at Madison Square Garden, critics and fans alike were sharing a knowing smirk and gathering on forums to place bets on the release date of his inevitable comeback album. Surely the Bob Dylan of hip-hop wouldn’t be able to stay away from the studio for long before whipping up another street-lauded aural epic of ghetto American dreams. Six years later, the former Marcy Projects hustler has confirmed these suspicions with three post-retirement studio releases and a smattering of collaborations and compilations, but on “The Blueprint...
...brought to a wider audience in North America by his work on the “Dan in Real Life” soundtrack, released in 2007. Throughout his career, the singer-songwriter has dabbled in jazz, orchestral sounds, straight-up rock, or wherever his fancy took him. His sixth studio album presents a mature artist that has found and settled comfortably into his own layered pop sound. Now able to draw from experience, Lerche takes the elements that worked best from his previous albums and brings them together; the record blends in remarkably well with the fabric of his career...
Among the capricious fashion cognoscenti, tastemakers can command respect and recognition for half a season or half a century. The once fabulous, now floundering House of Halston struggles to recapture its Studio 54 panache, while Chanel’s Karl Lagerfield still woos critics with slightly tweaked versions of a flapper’s little black dress. Despite the rapid flux of the industry, R.J. Cutler ’83—director and executive producer of “The September Issue”—has managed to capture and eternalize an iconic moment in fashion history...
...pictures from an X-ray studio...