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...Being Digital. It’s common knowledge that out of a $16.99 CD price, artists get about a dollar, record labels get $5 to $10 and the rest goes to the retailer. These prices reflect the costs of doing business—artists, who often pay for their studio recording time, seldom profit on an album. Record labels, which bear heavy promotion costs, usually make a dollar or two of profit per CD, as do the record stores, which must pay rent and salaries...

Author: By Alex F. Rubalcava, | Title: Steal This Column! | 10/29/2001 | See Source »

...Zero fighter, he studied economics and political science but preferred reading Moby Dick and Tom Sawyer. After graduation he tossed convention aside by joining an animation production company, where he met his lifelong colleague and sometime creative collaborator, Isao Takahata. They struck out on their own in 1985 with Studio Ghibli?named by Miyazaki, an aircraft buff, after a vintage Italian plane...

Author: /time Magazine | Title: The Magic of Make Believe | 10/22/2001 | See Source »

...During production months Miyazaki occupies a corner desk at Studio Ghibli, a vine-covered cluster of buildings he designed in a Tokyo suburb for himself and a full-time staff of 150. The light-filled floors buzz quietly with jeans-clad artists in their 20s, hunched over tilted wooden desks. They far outnumber the computer-graphics specialists on a lower floor, employed only to speed up the production process...

Author: /time Magazine | Title: The Magic of Make Believe | 10/22/2001 | See Source »

...desire to share the magic of this creativity?especially with his littlest fans?led to Miyazaki's latest production: the Studio Ghibli Museum. Here the other side of Miyazaki is on full display: the childlike enthusiast, bursting with inventiveness. The multicolored building pokes out like the stub of a rainbow from a wooded corner of a vast Tokyo park. A towering metal sculpture of a robot character from his film Castle in the Sky stands sentry. Inside, a handcrafted fan whirs like an airplane propeller from the glass ceiling of a four-story atrium. Elf-size doors lead to secret...

Author: /time Magazine | Title: The Magic of Make Believe | 10/22/2001 | See Source »

...prickliness disappears as he darts gleefully from room to room, interrupting workers to show off a spinning zoetrope, a vintage movie projector, a handcrafted model airplane. Stepping around a staffer who is painting a trompe l'oeil on a wall, he shows off his proudest creation?his fantasy studio. Tomes on anatomy and history crowd the shelves, a pterodactyl hovers overhead, desks spill over with tubes of paint, old postcards, a jar of pencil stubs. Copies of his sketches are tacked, unframed, all over the walls. Nothing is roped off. "I wanted to show the roots of inspiration, that feeling...

Author: /time Magazine | Title: The Magic of Make Believe | 10/22/2001 | See Source »

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