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Word: studioful (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...vague shimmer of reflections in a forest pool. Their subject was almost invariably girls, mainly girls who spend their nights in Brooklyn and Queens rooming houses and their days working in the garment lofts, offices and novelty factories around Manhattan's Union Square, where Bishop has her studio...

Author: /time Magazine | Title: Art: They Drink & Fly Away | 5/23/1949 | See Source »

Isabel Bishop lives with her husband, Neurologist Harold G. Wolff, and their nine-year-old son in suburban Riverdale, commutes to her Union Square studio five days a week ("Some people say they can't work in the city, but no one ever bothers me here"). She lunches standing up at a nearby soda fountain, watching the people around her and "hoping for something to paint." A tall, brisk woman with braided black hair and attentive brown eyes, Isabel Bishop looks rather like a chemistry teacher in her tattered white working smock...

Author: /time Magazine | Title: Art: They Drink & Fly Away | 5/23/1949 | See Source »

Died. Neysa McMein Baragwanath, sixtyish, magazine-cover illustrator (Saturday Evening Post, Collier's, McCall's) and portrait artist whose Manhattan studio was once a famed meeting place for artists and writers (Dorothy Parker, Edna Ferber, the late Ring Lardner, Robert Benchley and Alexander Woollcott); following an operation; in Manhattan...

Author: /time Magazine | Title: Milestones, May 23, 1949 | 5/23/1949 | See Source »

...Lillie when he overheard him trying to sell a map of early Harvard to the librarian in the Harvard Club of Boston. When he saw the map, Pitman was impressed and, before long, hired Lillie to do the research on the Harvard series which was just beginning. The Studio uses students from the Harvard School of Landscape Architecture and the Cambridge School of Design to help with the big jobs...

Author: By Edward C. Haley, | Title: Circling the Square | 5/19/1949 | See Source »

Theodore Pitman, himself a gifted craftsman demands accuracy in all the Studio's work--even down to the exact proportions of the trees and figures in the Yard. He confesses that he doesn't know how any of his assistants have the patience to fix the leaves on trees or to paint in windows on the buildings, for he personally prefers working on the interesting general problems in modeling rather than on the meticulous details. Yet it is the combination of Pitman's modeling genius and the fine precision work of his assistants that have gained the Pitman Studio...

Author: By Edward C. Haley, | Title: Circling the Square | 5/19/1949 | See Source »

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