Search Details

Word: studioful (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Back in Hollywood for a new film, Summer Stock, Judy found that she was too healthy to squeeze into the clothes fashioned to the studio wardrobe's dummy of her normally 115-lb. figure. She promised to cut down on her health by 15 pounds in time for her first rehearsal...

Author: /time Magazine | Title: Cinema: Working Girl | 11/14/1949 | See Source »

...deadline arrived, but Judy did not. Three times the studio telephoned her home. On the fourth call came the admission that Judy would not be present: she had dropped only seven pounds...

Author: /time Magazine | Title: Cinema: Working Girl | 11/14/1949 | See Source »

...same day, presumably after reading Louella's stern blast, a penitent Judy Garland appeared at the studio, gave her solemn promise to take off the eight remaining pounds and to be prompt when she is called to work. Louella promptly forgave her: "Her little flurry of temperament is now yesterday's news, and we're all glad to forget...

Author: /time Magazine | Title: Cinema: Working Girl | 11/14/1949 | See Source »

Despite its gummy spots, e.g., a trite pep talk by Chaplain Leon Ames explaining to a battle-hardened gang of veterans why they are fighting, Battleground is the sternest studio-made war film since The Story of GI Joe. On the debit side, each soldier is given a bit of colorful routine that is tiresomely underlined every time the soldier is seen: Private Douglas Fowley loses or clicks his store-bought teeth; ex-Editor John Hodiak mourns over the fact that his wife in Sedalia knows more about the battle than he does. But Director William Wellman threads...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 14, 1949 | 11/14/1949 | See Source »

...leading bid for Academy Award honors-and the first job at the studio to be signed by Producer Dore Schary-stacks up well against such recent combat films as Task Force and Command Decision; nonetheless such a wartime documentary as San Pietro makes it seem like a put-up job. Rarely catching the quick fury of infantry fighting, the camera shots are mostly the comfortable, carefully composed setups that are possible in a studio production, but in actual warfare would mean a quick death for the cameraman. Neatest trick: in most of the snowstorm scenes the snow sticks to everything...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 14, 1949 | 11/14/1949 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Next