Word: studioful
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Dates: during 1990-1999
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...chose to reinvent. At week's end Bennett was putting the finishing touches on a leveraged buyout that would take control of Prodigy from IBM and Sears and retool it into a net-based multimedia studio. If all goes according to plan, Bennett and his team will be running a giant-content company producing sports, entertainment and news-based Websites...
...Reich as "Senator." Snow, a conservative newspaper columnist, is a competent but colorless interviewer, and the show is loaded with superfluous gimmicks (questions from viewers sent over the Internet; clips from old Fox Movietone newsreels). Overall, the program--forced to broadcast from various locations around Washington while a permanent studio is being finished--looks rinky-dink...
...same folks who brought you the Fox Box, the glow puck and an in-studio football field are about to transform baseball, or try to. Since its first broadcast less than two years ago, Fox Sports has left a sizable imprint on televised sports with innovative gimmicks, over-the-top commentary and a philosophy of fun with games. Started from scratch when Rupert Murdoch landed an N.F.L. television contract in 1993, Fox Sports has made imitators out of skeptics. But then the whole idea of a fourth network was once considered impossible...
From the loft's cavernous elevator emerge some of the play's best performances. Sissy Bemiss Darnley (J. Smith Cameron), Nan's horrid daughter, rages through the studio proclaiming with monosyllabic hillarity--"It's hip, it's hot, it's space, it's art, it's a loft." Marcus (Thomas Derrah) and Katrin Dowling (Francine Torres, Ma Ubu of "Ubu Rock"), a pair of kooky magazine publishers and the token true hipsters of the production, persuade Alex to photograph their daughter Guernica's sixth birthday party...
...with "Lethal Weapon" director Richard Donner to make low-budget action films in the $10 million range. Setting the abstemious tone at the opening Cannes press conference, Jury President Frances Ford Coppolla, who knows a thing or two about over-extended budgets, blamed Wall Street investors for the "corporate studio mentality" that brought cookie-cutter creativity to the industry following a string of Hollywood financial disasters. He traced the trend back to the megabomb "Heaven's Gate." Said Coppolla: "They used that film as an excuse to take over. These are the people who brought...