Word: studioful
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...Saw” franchise has chewed through writers, directors, characters, and plot devices with the inhuman precision of one of John Kramer’s grisly traps. The formula is so powerful (read: profitable) that it exists outside any single creative mind; it is clearly a product of a studio, rather than an author. The latest installment shows that while “Saw’s” appetite for mutilation and dismemberment is unlimited, its supply of original material...
...evidenced by the massive profitability of “Saw” and other types of pornography, this formula is wildly successful. In this sense, “Saw VI” is a masterpiece: an efficient, polished, and profitable product of the Hollywood studio system. It is a perfectly consumable serving of violence, and its merits in this regard are undeniable...
...fire under the devoted and even the Jackson-ambivalent. Setting a deadline "creates a sense of scarcity for a major event that you have to see," says Harry Medved, a spokesman for the movie-ticketing website Fandango.com. "That's exciting for people." A marketing exec from a rival studio acknowledges the success but sniffs, "It's that old Vegas-concert, Disney-movie hypo-o-meter trick." The exec adds, "If sales go well and there's demand, then they suddenly find a way to extend the engagement." So, yes, there may be more "It" to This Is It. (See TIME...
Here are the official studio estimates for this weekend's top 10 movies in North American theaters, as reported by Box Office Mojo: 1. Paranormal Activity, $22 million; $62.5 million, fifth week 2. Saw VI, $14.8 million, first week 3. Where the Wild Things Are, $14.4 million; $54 million, second week 4. Law Abiding Citizen, $12.7 million; $40.3 million, second week 5. Couples Retreat, $11.1 million; $78.2 million, third week 6. Astro Boy, $7 million, first week 7. The Stepfather, $6.5 million; $20.4 million, second week 8. Cirque Du Freak: The Vampire's Assistant, $6.3 million, first week 9. Cloudy...
...pictures from an X-ray studio...