Search Details

Word: studioful (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...force behind both trends is an ingenious plug-in called Auto-Tune, a downloadable studio trick that can take a vocal and instantly nudge it onto the proper note or move it to the correct pitch. It's like Photoshop for the human voice. Auto-Tune doesn't make it possible for just anyone to sing like a pro, but used as its creator intended, it can transform a wavering performance into something technically flawless. "Right now, if you listen to pop, everything is in perfect pitch, perfect time and perfect tune," says producer Rick Rubin. "That's how ubiquitous...

Author: /time Magazine | Title: Auto-Tune: Why Pop Music Sounds Perfect | 2/5/2009 | See Source »

Almost immediately, studio engineers adopted it as a trade secret to fix flubbed notes, saving them the expense and hassle of having to redo sessions. The first time common ears heard Auto-Tune was on the immensely irritating 1998 Cher hit "Believe." In the first verse, when Cher sings "I can't break through" as though she's standing behind an electric fan, that's Auto-Tune--but it's not the way Hildebrand meant it to be used. The program's retune speed, which adjusts the singer's voice, can be set from zero...

Author: /time Magazine | Title: Auto-Tune: Why Pop Music Sounds Perfect | 2/5/2009 | See Source »

...pictures from an X-Ray studio...

Author: /time Magazine | Title: The Ethics of Octuplets | 2/5/2009 | See Source »

...plain, humorless sidekick. George Tillman, Jr. directs “Notorious” like it’s a boilerplate rap music video: there’s technique and bling to burn, but the whole film is so literal, so resolutely un-fun. When Biggie enters the studio to record classic “Juicy” halfway through the film, it becomes painfully evident that the rapper could tell his own story in five minutes much better than any film can in two hours. The rags-to-riches story “Juicy” delivered was both affecting...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Notorious | 2/5/2009 | See Source »

...painting. It’s non-observational, so you’re dealing with imagined structures.RR: And everyone was on board with that?DB: I give a big spiel during shopping week, so I tend to draw people who are into that sort of thing. [Rudolf Arnheim Lecturer on Studio Arts] Nancy Mitchnik also teaches a foundational observational painting class.RR: Do you guys have a rivalry? Non-observational versus observational?DB: No, we’re buddies. Sometimes it’s useful to pretend that we do, but we don’t really. I think it?...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: ROVING REPORTER: VES 25: Non-Observational Painting | 2/5/2009 | See Source »

Previous | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | Next