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Word: stuffs (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Sally and Luke's romance is the heart of Coming Home. Though the illicit affair of a beautiful woman and a cripple is potentially mawkish stuff, Ashby usually does not allow his story to become overly sentimental. He does not view the couple's relationship as a panacea for all their emotional problems, and he refuses to shy away from harsh detail. When Luke finally leaves his wheelchair to join Sally in bed, the hero's handicaps bring the ensuing sex scene an added poignance...

Author: /time Magazine | Title: Cinema: The Dark at the End off the Tunnel | 2/20/1978 | See Source »

...offered a basic theatrical package, a quick jolt to the sense of reality which, unlike the pleasures of more organized or complex art, fails to renew itself. It all ends up as Norman Rockwell in 3-D and grimy jeans, minus the period optimism: not contemptible, but not the stuff of which anything but il lustration can be made . Robert Hughes

Author: /time Magazine | Title: Art: Making the Blue-Collar Waxworks | 2/20/1978 | See Source »

...only protesters in sight were somelaw studentswho--remembering Connally's indictment in 1973 on charges of accepting a payoff from the milk lobby--set up a booth outside the Science Center and sold the wholesome stuff...

Author: By Michael Kendall, | Title: Back at the Ranch | 2/18/1978 | See Source »

...bilge, and the screenwriters have been awfully faithful to the dull details. What keeps Robbins's readers interested in his non-characters is their sexual appetites, but the kind of graphic descriptions Robbins indulges in--those titillating, sizzling, tongue-wrapped-around-anything-that-moves scenes--are not exactly the stuff of "R" rated movies, and especially one with a cast this distinguished. (At least, going in they were distinguished.) Sure, there are two or three brief scenes of Godfather-style violence, but they are almost as sluggishly filmed as the sex scenes. That leaves the dialogue to pass the time...

Author: By David B. Edelstein, | Title: Not the Promis'd End | 2/16/1978 | See Source »

...dull stuff, except for Olivier. Why did he make The Betsy?, you ask. He no longer has the strength to act in the theater, so he has devoted himself to making money for his children and grandchildren (those paychecks from the National Theatre were piddling sums). Olivier's past accomplishments in drama are legendary. Many people say his true greatness was in the theater, but Olivier has rendered many memorable film performances: Hamlet, Henry, Richard, Othello, Astrov, Strindberg's Captain, and to a lesser, though often equally delightful extent, Heathcliff, Archie Rice in The Entertainer, Graham Weir in Term...

Author: By David B. Edelstein, | Title: Not the Promis'd End | 2/16/1978 | See Source »

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