Word: stuffs
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Dates: during 1980-1989
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...Yale biologist, Ross G. Harrison, unveiled his concept of a "sculptor" and "master builder" within each living cell. The sculptor, The Times said, "molds the aboriginal clay of life into his own image," while the master builder "organizes the stuff of life into its various tissues and organs...
...connotations that a century could not erase. But what would the average guy in Middle America gather about the place from a perusal of the coverage of Harvard at its 350th birthday in the print media? And why does the media think he would even care to read the stuff...
...appeal is similarly diverse. New Age is the perfect music for washing one's BMW, which accounts for its stereotyping as yuppie Muzak. But, notes Hugh Ashcraft, owner of a record store in Charlotte, N.C., "we have a wide range of people buying this stuff. There's a good number of old hippies, and mothers and grandmothers." Jenny McEwen, a Charlotte nurse, listens to New Age music on Sunday nights because "it dissipates the dread of Monday mornings. I find myself actually looking forward to the week...
Marble, wood and bronze remained fundamental materials, but they were used in unorthodox ways; and in addition, a sculptor could use any kind of junk, from cardboard, tin and pine boards (the stuff of Picasso's and Laurens's cubist constructions) to the wire and celluloid favored by constructivists, the steel plates and boiler ends forged by Smith, and so on down to rocks, twigs, burlap, twine or even the artist's own dung, which, canned and labeled by the Italian Piero Manzoni in 1961, provided a nastily prophetic comment on fetishism in late modern art. On its road away...
...unpopularity of modernist sculpture, as compared with painting, is a fact of life. Americans, especially, seem to prefer painting to sculpture because of its greater power of illusion and fantasy. (Sculpture is resistant stuff, hard to fantasize about. Renoir used to provoke erotic reveries; Maillol, never. You can imagine a painted body as flesh, but a sculpted one remains stone -- hence the archetypal frustration expressed in the myth of Pygmalion.) Combine the relative unpopularity of modern sculpture with its awesome complexity as a subject and one sees the problem of this show. There has not, in fact, been such...