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...possible for certain kinds of low-overhead content producers to eke out a living here, attracting enough audience to generate modest ad revenue. So far, this has worked best for curators, scavengers and commentators - the three pillars of the Temple of Blog - and others who purvey short-form stuff...

Author: /time Magazine | Title: Fujitsu's New Reader: A Step Toward the Post-Web World | 3/19/2009 | See Source »

Facing this latest delay, Administration officials are urging patience and insist they are moving more programs on more fronts faster than anyone has tried to do before. "People want a quick, clean, decisive resolution to this stuff, they want us to just fix it and have it be over with," says a senior Administration official. "We are moving in a relatively short period of time on a scale that I don't think you've ever seen an Administration...

Author: /time Magazine | Title: Plan to Buy Toxic Bank Assets Delayed Again | 3/19/2009 | See Source »

...proponents say digital 3-D is a different animal from the analog stuff that came before 2005. Viewers often wore cardboard glasses with red and cyan cellophane lenses (similar to but somewhat different from what you see in this magazine). As just about everyone knows, old-school 3-D was less than awesome. Colors looked washed out. Some viewers got headaches. A few vomited. "Making your customers sick is not a recipe for success," Katzenberg likes...

Author: /time Magazine | Title: Are 3-D Movies Ready for Their Closeup? | 3/19/2009 | See Source »

...offered them much, and the stuff that does come my way, I often don't find that funny. It's the hardest thing to write good comedy. And I'm not going to do a bad comedy. But I would like...

Author: /time Magazine | Title: 10 Questions for Clive Owen | 3/19/2009 | See Source »

...blasted landscapes, crowds of eternal refugees and monsters that could be the potbellied Will to Power. His world comes in shades of black, white and gray, with just occasional flecks of red or streams of bright blue that suggest water--a cool comfort against affliction but also the stuff of tears. In Felix Crying, a 1998-99 drawing taken from his short film Stereoscope, an inconsolable Felix stands in a rising pool of his own blue grief as it cascades from his pockets...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

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