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...similar opinion of my work (which I dare to compare to the elegant Agee's in no other way). While some friends figured I'd sold my soul by going to Time, committing weekly journalism instead of writing essays and books, Manny said he thought my Time stuff was better, freer and more concentrated. I suspect his comments on Agee and me spoke to an admiration for workmanlike salaried labor, whether done by carpenters, bottom-rung gangsters, tanktown vaudevillians, Poverty Row directors or movie critics. To him, Agee's and my "little magazine" essays were white elephants, our Time stories...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...efficiency, of teeming termite life in the corners of the film frame, and his excoriation of fussiness, bloviation, "artistic" movies, ring clear, as does his unique voice. Dozens of passages here could have been written only by Manny. I don't say his Time columns were near his best stuff, but a lot of it is choice...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...Well, you know, we had a long primary season, which means that a lot of stuff was backed up," Obama says, "which means that I've got to still do work preparing for Thursday night...

Author: /time Magazine | Title: Obama's Slow March to Denver | 8/26/2008 | See Source »

...asking. As I walked away, I turned around to watch her and her co-worker giggle with excitement. I had been had.The scene above played out in a market typical of Shanghai: four- or five-floor “malls” filled with hundreds of fake-stuff-stalls, selling everything from North Face to Abercrombie to Coach to print shirts with lazy translations (one read, “Let’s Do The Dancing Team Beach Volleyball”). After the first week, these pseudo-Western products all begin to fade into the rest of the novelty that...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Shanghai-tened Reality | 8/25/2008 | See Source »

This summer has proved that the action film is where most of the talent has gone: into the technique and technology of pure moviemaking, of getting the viewer's blood racing by blowing stuff up. Handmade art is on the wane; machine art is here to stay. The gentle crafts of acting, of sculpting witty dialogue, of a director's subtle sense of where to lead the camera and the audience may be in decline, but the second-unit guys and stuntmen and CGI wizards are at the top of their game. It's not the highest form...

Author: /time Magazine | Title: Death Race: Worth a Test Drive | 8/24/2008 | See Source »

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