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...only hear the man's. This requires compartmentalizing--disconnecting head and heart, body and soul. Overlay her silence with a man's sense of entitlement and inability (or unwillingness) to read his partner's subtle body signals, and you have the making of a very angry woman, who will stuff her anger for the same reasons she silences her sexual voice...

Author: /time Magazine | Title: Book Excerpt: My Life So Far | 4/4/2005 | See Source »

...Beautiful Life (2000) shows them after they moved to a French village in the early '90s. She's appalled that it's so hard to shop, but eventually the couple conclude that the French, by having concerns other than making a buck, have left a lot of good stuff alone - if it ain't broke, they don't fix it. Unlike Americans. City of the Future (1966-67) shows impossibly curvy, port-holed buildings, mocking a postwar attitude that led the country to destroy and deface too much of the past for Crumb's taste: "There is a big wonderful...

Author: /time Magazine | Title: Coolest Cat Of Them All | 4/3/2005 | See Source »

...that there was hard-core sex involved was incidental as far as I was concerned. I was totally deluded. I had made myself believe that I was an actress. I was showing true life as it really was -including actual sex as it really happened -instead of the phony stuff that you got from Hollywood. That was my raison d'etre throughout the whole thing. It was okay; I was okay; I wasn't a slut...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...post-narrative age and make it a truly modernist art. We also had to admit that movies like Bruce Conner's Cosmic Ray (a naked woman dances to a Ray Charles song) and Stan Brakhage's Window Water Baby Moving (birth, in gynecological closeup) were also, relatively speaking, hot stuff. Carolee Schneeman's Fuses was 18 minutes of lovemaking -lovemaking turned into an art movie because the artist had painted on, or baked, the film stock, but it was photographed whoopee all the same...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

...show Julia) and orchestrations by Peter Matz, who was Barbra Streisand's music man in her first bloom. Playmate Kristine DeBell, a most engaging cutie, manages the wide-eyed wistfulness as deftly as she executes the phallus-in-wonderland scenes. (Other performers do the hard-core stuff.) The film is spiffy and frolicsome, with a distinct vaudeville tone. Toward the end, during some vigorous sexercise, one of the characters remarks, "After a while they all look the same, don't they?" They do. But Alice is one hard-core comedy that is at least as appealing in its R version...

Author: /time Magazine | Title: That Old Feeling: When Porno Was Chic | 3/29/2005 | See Source »

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