Word: stunners
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...larger implications of such media diplomacy may be a bit scary, but the TV show it has helped create promises to be a stunner. Despite the 14-hour time difference between Seoul and New York City, fully three-quarters of NBC's planned 179 1/2 hours of coverage over the next fortnight will be live. When the telecasts begin each weekday at 7 a.m. EDT, it will be 9 p.m. in Seoul, the peak of the evening competition. When evening coverage starts, at 7:30 EDT, it will be 9:30 a.m. in Seoul, just as the daytime events...
Three archetypes for a modern mortality play. Alex Forrest, a career woman whose forcefulness sheathes a precarious ego. Dan Gallagher, a guy who seems to have embraced personal and career contradictions in a big, easy bear hug. Beth Gallagher, comfortable in her roles as wife, mother and natural stunner. But what if Alex is a creature of insatiable lust and leeching possessiveness? And if Dan's amiability has made him too soft to resist Alex's attentions or, later, to protect his family from her vengeance? And if Beth, supermom in disguise, is roused to confront the beast Alex...
Well, sure. What we have here is middle age, a ton of bricks anywhere, but a real stunner to Duane in Thalia, Texas. Life and geography have not prepared him for the existential blahs. He was a high school football hero of sorts in McMurtry's wry 1966 novel The Last Picture Show. Since then he has made a fair-size bundle in the oil business, but aerobic spending and the collapse of crude prices have left him ear-deep in debt, and sinking. He doesn't much care. He and his wife Karla are both good-looking and healthy...
...find intermittently irresistible. Lange keeps on astonishing. Hefty and bawdy, with a macaw's cackle in good times and a face like a fist in bad, Lange plays Patsy as a cracker Wife of Bath, sated with sexual love and hungry for more. Her Patsy would be a subtle stunner in any season. Right now she is enough to make moviegoers forget the boys and toys of summer...
...line works up a lovely sweat in one number (Fabulous Feet) that piles climax upon exhilarating climax; in another (Dance if It Makes You Happy), Willie dreams of tapping his cares away in the company of Bojangles, Astaire and the entire MGM back lot. Battle, a natural-born Broadway stunner, captivates the audience with an electrifying spirit that surges from his head to all ten toes. But the other family members are often deadly serious; they express themselves in Composer Henry Krieger's capacious Tin Pan arias, which haunt the ear without paying much more than lip service...