Word: sturmings
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...look no further than your own local campus, where, for some time now, the kids have called their professors Fascists and the professors have spurned their students as Nazis, and you have some idea of how compelling the Nazi parallel is to Americans suffering their own special kinds of sturm and drang. America is no longer sure of her own moral rectitude, and Nazi Germany offers a convenient--and haunting--example of how wrong things...
...STEVEN STURM...
...trek to Italy was Joseph Anton Koch, who headed south in 1794. There is an almost schizophrenic gap between his early landscapes, conceived in reverent imitation of Poussin, and a later painting like Macbeth and the Witches (1834). It is a full-blown response to Goethe's Sturm und Drang, with its flailing energies of cloud and sea, its Gothic spikiness, and its perverse adoption of Michelangelo's image of God on the Sistine ceiling for the pointing gesture of the first witch...
Bruckner was a romantic in the sense that he self-consciously implicated his faith and questionings in a musical tissue, but his romanticism is not the sturm and drang neurasthenic exacerbation of doubt and guilt which the term unfortunately suggests. Romanticism began as a vindication of the joy of a liberating mystical communion with nature rather than as a debilitating confusion of introspection with self-pity, or a lamentation on the evanescence of all things cherishable. It was, hopefully, a deeper recognition of mutability and then transcendence over corruptibility. The excellent program notes' suggestion that "Bruckner exalts the same romanticism...
...Haydn was more than a musical wag. Sharing the spirit of the Sturm und Drang poets of the time (among them Schiller and Lessing), he made his instruments weep and rant as well. The supple, rhapsodic lyricism of the slow movement of Symphony No. 44 is far removed from the aloof, balanced expressiveness sought by most composers of his time; the demonic orchestral outbursts and sudden silences in the first movement of No. 80 point ahead to the struggle-locked manner of the later Beethoven. To initiate the finale of the Sinfonia Concertante, four solo instruments conduct a nonverbal argument...