Word: stuttgarter
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Bosch's 30 plants and $500 million in sales grew from a small Stuttgart electrical shop, where Robert Bosch in 1886 started a modest business to install lightning rods, doorbells and telephones. He soon devised a new magneto-ignition that was superior to existing types, and in 1896 entered the young automobile business. He grew wealthy supplying such auto pioneers as Gottlieb Daimler, but continually worried over the money he made. Bosch gave away $5 million in World War I profits, explaining: "The profit I was making while other people were losing their lives depressed...
...curiosity takes an aw ful lot of satisfying. At 28, he is the youngest Grand Prix champion in history, and his income runs to $140,000 a year. Yet there he was last week, seeing how fast he could drive an untested car on a rain-drenched track outside Stuttgart, Germany-in something called the Solitude Grand Prix. The prize was far from grand-no championship points, no money to speak of (winner's purse: $1,500)-but Scotland's Clark still turned the afternoon into a breath-taking demonstration of his driving genius...
Dancers from virtually every major opera house in Europe tripped into Stuttgart. They came not to dance but to huddle in the wings and watch the latest creations of Württemberg State Opera Ballet Director John Cranko, who has built a reputation among dancers and audiences alike as the most creative young choreographer in all of Europe. At the conclusion of last week's annual Ballet Festival, the burgeoning army of Crankophiles was more enthusiastic than ever...
...versatility and invention. But always he nurtured a burning itch to discover and develop a new "pattern of movement and expression which already is deeply ingrained into the matrix of our artistic experience and potential." He longed for his own ballet company, and when he got an invitation from Stuttgart five years ago, Cranko leaped at the opportunity...
Since Noverre. The fruits of his Stuttgart efforts first appeared on the international scene at last year's Edinburgh Festival, where his achievement was hailed as "staggering" and "beyond praise." Yet for all the lavish encomiums, Cranko is the first to admit that he and his relatively small company still need five or more years of maturing before they are ready to lay claim to the authentic "Stuttgart style" label some critics have already begun to discuss in glowing, enthusiastic terms. But one thing is already certain: not since the city's celebrated Ballet Reformer Jean-Georges Noverre...