Word: style
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Dates: during 1970-1979
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...would be left to his successor, Richard Cardinal Cushing, a man of simpler style, and Pope John XXIII, successor to Pius XII, to paint a picture of Catholicism which was inconsistent neither with the times nor the experiences of 20th century Americans of all faiths living in an age of rapid social change. The election of John F. Kennedy '40 to the presidency in 1961 did not so much prove that a Catholic could be president as show how little being a Catholic had to do with being president at all. These developments raised the nation's consciousness and provided...
...century, Pavarotti combines the pastosa (soft) beauty of Beniamino Gigli with the effortless high notes of Giacomo Lauri-Volpi. Others hear echoes of Jussi Bjoerling's silvery refinement. Pavarotti inmself cites a more recent predecessor as a model: Giuseppe di Stefano, who at his best had a burnished, flowing style...
...Ponselle, whose own niche in the soprano pantheon seems secure. "There's a certain something that makes its way across the footlights, sometimes even through the electrical circuits in a recording machine. Pavarotti has it." Ponselle believes it is this ineffable communicative power, and not matters of timbre and style, that forges the link between Pavarotti and his forerunners, especially Caruso. Says Ponselle: "Probably the biggest similarity between Pavarotti and Caruso is the way each could envelop an audience, the way each could make every person feel that he or she was being sung to individually...
...jazzy mix of facts and fictional technique, Céline's ellipses, the gadzooks delivery and a presumptuous ape's-eye view that would have curled Henry James' worsteds-these are unmistakable parts of Wolfe's style. It is still called the New Journalism, although the form is as old as the Beatles and the author is now 48. Like the Beatles, Wolfe has had a revolutionary impact on his field. His imitators have spread like dandelion fluff, and his work still stirs furious debate...
...even the creakiest practitioner of the inverted-pyramid style of journalism will have to agree that behind the mannered realism of The Right Stuff thumps the heart of a traditionalist. The organizing principle of the book is an old-fashioned fascination with, and admiration for, the test pilots and fighter jocks of the U.S.'s first astronaut team: Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard and Deke Slayton. In addition, the book has a superhero, Chuck Yeager, a World War II combat veteran who broke the sound barrier in 1947 and rewrote aviation history...