Word: style
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Alien is ugly in conception, but it achieves what it's after; Prophecy is an innocous shocker, dully made. Which is a surprise, because director John Frankheimer has made some wonderful thrillers; the least I expected was a little directorial style. Frankheimer keeps the killings relatively bloodless, but they're also flat and slightly rushed, lacking the witty camera set-ups or pungent, economical editing of a classic like Jaws. The baby mutants--popped little dragons--are rather cute, but they're straight out of Eraserhead. The big pig has no personality; at best, it suggests the nightmare...
...about our consumer society. Although there are heavy-handed (though valid) references to the mall as a much-beloved place, which explains the zombies' attraction to it--flickers of pleasurable memories in otherwise dead brains--Romero's satirical jabs are more skillfully displayed by the four heroes' eventual life-style and by our acceptance and enjoyment of it. Once they flush out the zombies and barricade the entrances, they have all the stores to themselves--think of it! They set up house with the finest stereo equipment, unlimited gourmet foods and wine, chic, expensive clothing, sporting goods, etc. By surrounding...
Superbly mounted with the understated elegance that is characteristic of the Morgan's style, the show is far and away the largest single display of Michelangelo drawings ever seen...
...group in these two scenes is called Musica Sacra. The conductor is a hearty, frustrated baseball player and onetime concert organist named Richard Westenburg. Musica Sacra is a time whose idea has come. That is, it embodies a period and style of music-the great sacred, choral works, especially of the baroque-that few before had been able to move from church choirs and amateur choruses into a professional concert series. In the past three years, the group (which works with a nucleus of 29 singers and 28 instrumentalists) has given notable performances of such works as Mozart...
...controlled, idiosyncratic performances of a superb supporting cast. Director Siegel (Dirty Harry) never lets an actor go overboard. The same lean quality is visible in his film making. With the help of Bruce Surtees' elegant, metallic-hued cinematography, Siegel makes every point as economically as possible. His style is the visual equivalent of John D. MacDonald's prose, which serves this kind of material well. The tension builds so naturally that neither hokey music or contrived menace is necessary. Only once does Siegel lose control - in a jarringly graphic finger-chopping scene that lit erally and figuratively sticks...