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Word: styles (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...common synthesis that makes a "Third Stream" piece, Blake said, is one that blends elements of classical style, such as Bach, with elements of jazz, such as Duke Ellington. But it could also be created in less obvious ways, such as in combinations of Bartok's style with ethnic Greek rhythms...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

...There are hundreds of black Gospel singers in churches around here where one can go for beautiful Gospel style," he said. "In the Shawmut area there are juke boxes with Syrian music, and right here at Harvard there are some brilliant composers of avant garde...any differing styles of music will do," he added...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

...There are hundreds of black Gospel singers in churches around here where one can go for beautiful Gospel style," he said. "In the Shawmut area there are juke boxes with Syrian music, and right here at Harvard there are some brilliant composers of avant garde...any differing styles of music will do," he added...

Author: By Mel M. Marinkovic, | Title: Blake Advises Third Stream Composers | 8/4/1978 | See Source »

Kaye-Martin's portrayal of the master of the house was not masterful, but good--he had the job of portraying the banality of evil in a high-faluting style, but overdid the banality a bit. He rants and demands and insults with all the consummate evil of Bella Lugosi and Martin Bormann fused; Kaye-Martin overplays his role just so much, just so much that despite his overkill in the sexist-megalomaniac-asshole department, the crowd still takes his character seriously, according his work with all of the hisses and spittoons given the villain in any old time movie...

Author: By David A. Demilo, | Title: Victorian Fun and Games | 8/1/1978 | See Source »

ILLUSTRIOUS CORPSES is in many ways typical of contemporary Italian cinema. Rosi uses the documentary style, which places an exaggerated emphasis on certain events in the plot to create a more realistic impression, and uses the common theme of the overgrown police state seen in many recent films. He also contrasts the grandeur of the great halls and monuments of Romano-Italian civilization with the decadence of the morally weak leaders for ironic effect...

Author: By Raymond Bertolino, | Title: When in Rome, Shoot Like the Romans | 8/1/1978 | See Source »

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