Word: styles
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Dates: during 1970-1979
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...most impressive, however, is John Guerrasio as Timmy, the boy who comes home from the wars. Guerassio brings an energetic, pleasing style and a hoarse tenor voice to the part, which seems to have been written for him. He is at his best imitating a vaudeville hack or meandering through a wicked drunk as the family collapses around him. His timing and movement are impeccable; more will certainly be heard from this...
...little further out of the Square on Brattle St., the Paperback booksmith sells largely the same assortment as Harvard Bookstore. The decor is more in the '60s style and the atmosphere is a little less intense, and as a bonus, you can usually find more weirdos browsing there than anywhere else in town. Again, the prices are whatever is printed on the cover, so don't come looking for any sensational bargains. You're sure to find any and all popsychology books, plus the Rolling Stones-'60s revival volume you've been looking for so long, so spend away...
...cheapie than a presumably classy $10 hardback, and what goes between those hard covers is enough to make you yearn for the good old days, when the Papal Index kept the trash in the barrels and out of the bookstores. Breslin and Schaap offer little more than a Dragnet-style, names-have-been-changed-to-protect-the-innocent-and-save-us-from-a-lawsuit rundown of the murders, with a little sex and some ethnic name-calling thrown in, presumably to distinguish the book's heroic police inspector from the strait-laced Sgt. Friday Readers looking for a thoughtful analysis...
...topical freshness. Unfortunately, 'Imagination' is not as strong as the original. Jagger's voice is strained and impassioned, but the band sounds a bit clubfooted, especially during the bridge. The Stones slide part way into the pit that threatens a hard rock band adapting a soft number to its style and the song becomes merely filler when compared to the rest...
...tunes on Some Girls are profound, however. "Respectable" and "Lies" are two lowdown Chuck Berry-style floor-stompers reminiscent of tunes like "Star Star" and "Rip This Joint." "Respectable" takes and iron poke at the Stones' respected place in society before moving into a fairly standard denunciation of a "respectable" (read phony) woman...