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Word: styles (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

Pink Flamingoes. It's late. The bars are crowded, cramping your style. You're wrecked, and your best friend, with blurry-eyed bravado, suggests you go see the greatest movie ever made at its midnight showing at the Welles, Pink Flamingoes. Can you hold you liquor? How unshakable is your friendship? Because this movie and its transvestite hero(ine) Divine aim to reverse your digestive process, and may well succeed. Or perhaps you too consider life reducible to the most blatantly vile, the most howlingly revolting possible common denominator...

Author: NO WRITER ATTRIBUTED | Title: In a World Where Flying Men Hunt Elephants......People Will Just Naturally Want to Get High | 3/15/1979 | See Source »

...home to Orlofsky's ballroom to the local jail, you realize that it's all just an excuse for the dance music. In the famous trio "So muss allein ich bleiben" ("I must remain alone, then"), Rosalinda--whom Gretchen Johnson plays with vocal agility but no sense of style--begins lamenting her parting with husband Einstein. But she, Eisenstein, and Alfred the mad Italian tenor keep breaking out of the mock tragic music into a perky little waltz, as if to tip the audience off that nothing happening on the stage is terribly important...

Author: By Scott A. Rosenberg, | Title: Taking Vienna Out of Strauss | 3/15/1979 | See Source »

...rapid-fire delivery. Nicks' exchange with Natalie in the interrogation room is really the funniest scene in the show; it makes you forget that he can't sing. Jay Bacal as the broker is aggressively mediocre, weighed down by an insecure voice and a struggle to fight his repetitive style. His secretary, Miss Zweig (Ellen Zachos) has to grapple with a woman's role written for a Pudding man but her voice is the best in the show...

Author: By Robert O. Boorstin, | Title: This Way to the Egress | 3/15/1979 | See Source »

...simply one of academic freedom. I question the validity of distinctions between the skills taught in craft of fiction the modes of expression are more open, if often less direct. Still, clarity is respected, compression admired, diction honored. If the implication of Richard Marius' decision is that style can't be adequately learned in the practice of fiction writing. I am sure even Strunk and White would disagree with...

Author: NO WRITER ATTRIBUTED | Title: The Road to English C | 3/14/1979 | See Source »

Except for a change to a stiffer and longer pole, his style has remained more or less constant, although the Eliot House senior did have to make some adjustments since the short runway in Brigg's Cage cut more than 35 feet off his approach...

Author: By Nell Scovell, | Title: Geoff Stiles: Pole Vaulter With Style | 3/13/1979 | See Source »

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