Word: styling
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Dates: during 1960-1969
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Typical of Nader's battle style was his campaign for more stringent federal meat inspection at packing plants. While speed-reading the small print of a House report on Agriculture Department appropriations, Nader noticed that it urged "further studies" of the U.S. meat-inspection program. Did that mean that there had been earlier studies showing that the U.S. had a meat problem? Indeed it did, as Nader found out when he requested a copy of the little-known study at the Agriculture Department. "Nobody ever asked for this before," said the employee who handed it to him. The study gave...
Mujica-Lainez conveys not only the well-known creative energies of the Renaissance but its less understood anxieties as well. Unmoored from the sureties of medieval order, the leisured man and the artist of the 16th century sought comfort in personal style. Every inch of space had to be embellished. Emptiness and simplicity were troubling reminders of a yawning eternity...
...mastered the complexities and burdens of the position. The Faculty thrived during his tenure; its physical and intellectual resources increased; it ventured into new fields of study and began to reassess its educational techniques in established disciplines. Dean Ford guided this progress with his own administrative style: a belief in firm leadership based on fundamental consensus, and working through established channels...
This same administrative style which had served Harvard so well during earlier years proved to have serious deficiencies when confronted with the demands of the past year. The harsh new issues facing the University and the sharp divisions they created among the Faculty made it imperative for that body to begin groping for a new style of leadership-a style better equipped to recognize political realities to accept them, and to mediate them without endangering the essential scholarly functions of a university...
...films, works whose every element contributes to a single expression. Few directors reach the maturity and control necessary to such a work. Sorrows of Satan (1927) finds Griffith once more transcending himself, leaving behind the formal means by which he ordered his earlier dramas for a simpler, more direct style. Sorrows is so unified that its mood and meaning can be assigned to no single aspect of that style...