Word: styling
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Dates: during 1990-1999
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...concert began with a solo set by Dylan's more melodiously-voiced counterpart, Paul Simon. On the whole, Simon's live performance did not live up to his recording reputation. His style, which seems to border on world-music kitsch, was very treble emphasized and percussion heavy, assuming an almost flippant, less weighty framework. Beginning his set with many of his earlier works, especially many he originally recorded with Garfunkel, his renditions of "Mrs. Robinson" and "Bridge over Troubled Waters" were unconvincing testimonies of his solo career. But the latter-day Simon finally came out during less-instrumental tinged moments...
According to Bass, the list members were chosen on the basis of eloquence and style...
...sudden decline in the number of dealers contributed to an equally dramatic decline in handgun production. That's significant because street cops and criminologists have long suspected that more guns on the street lead inevitably to more shootings. Between 1993 and 1997, production of pistols, the style of gun most preferred by youthful killers, fell more than 50%, from 2.3 million a year to just over 1 million. The steepest drops occurred in California's notorious "Ring of Fire," a handful of companies that make cheap Saturday night specials...
...gentle and somehow calming, and not suspecting anything, you went back the next morning. After several sessions, you were offered the book written by their "master," Li Hongzhi. It was about self-control and Buddhist enlightenment, written in a chatty style that was not hard to understand, and it cost only $2. The group would read and discuss parts of it after the exercises, so you bought a copy. What you didn't know was that you were being watched--that you and millions like you were already caught in the net of China's biggest internal security operation since...
...lilt of the voice floating out of Buena Vista Social Club Presents Ibrahim Ferrer, and you can imagine the rakish young Cuban singer, decades ago, strolling the elegant boulevards of Havana. It was there that Ferrer first emerged as one of the acclaimed masters of son, the rural folk style that spawned mambo and salsa. Those were the golden days of Cuban music, before the revolution left many of the great artists of Ferrer's generation scraping to get by. Despite his skill, including a way of making the traditionally slow-moving ballads sparkle with life, Ferrer suddenly became...