Word: stylings
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Dates: during 1873-1873
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...frowning the while in a tragical style...
...authors, Aristophanes is my favorite; his "Clouds," for instance. I think if I were to attend college for fifty years, and it were possible, I would annually elect this consummate work of Grecian literature. Its chastity of style, the spirit in which it was written, cannot fail to win the admiration of scholars through all time. Of the author's ability I am convinced; and since the concession of his humor is hereditary, I am obliged to acknowledge that, though I candidly believe that if the inhabitants of the moon - hypothetically speaking - were provided with an edition of Josh Billings...
...downright, ponderous sermonizing. The Denison Collegian is heavy; never apt to be absolutely feathery, the present number is more soothing and sleep-inviting than any of its predecessors. The first article, "What Next?" is excellent from a theological point of view. Then somebody "does" Herbert Spencer's Philosophy of Style, and this is followed by a "literal translation" from Horace, happily named "The Bore"; it is not particularly well done, but comes as a blessed oasis in the desert of Denison. "The True Shekinah" is a racy bit of writing, which quite demolishes the friends of science, whom it accuses...
...characters are not so distinctly drawn as we could wish. Regarding the character of its sentiment, many different opinions are expressed. The chief fault, by no means an unusual one in such compositions, is the fact that the conversation is all carried on in a very stilted style. Two college men, one a Freshman, the other a Senior, ride home together from a party. Entirely unacquainted up to that evening, they indulge in the most gushing sentiment toward each other, as well as toward the belle of the evening, who, next to themselves, is the chief subject of conversation...
...preconceived notions of the simplicity and dignity of poetry, and, by its very grotesqueness, made us stand aghast, - a school which, to use Lowell's comprehensive description, makes the mistake of supposing that imagination is common sense turned inside out, instead of common sense sublimed. The writers of this style of poetry have been so well and so often satirized that one can hardly speak of them without trespassing upon ground already occupied; but, to distinguish them beyond a doubt, it may be said that, of this school, William Morris, perhaps, stands upon the highest round of the ladder...