Word: stylist
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Dates: during 2000-2009
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...Sydney Kai Inis, photo stylist and events planner set up a spot for merchandising found objects and her own redesigned and reinterpreted artifacts and objects of art. As a shop and gallery, she aims to mount a show or original fine art every three months with no piece priced over $600. Clemenza Hawkins exhibits a Harlem themed show through Summer...
...fashion-forward: Scaasi also dresses mother-in-law Barbara. But he vows to make Laura look "snappier," in vivid colors like turquoise ("tur-kwaz") and "a bright bottle green." (The red that Oscar de la Renta put her in, right, may be a foretaste.) We asked Scaasi and celebrity stylist Phillip Bloch to appraise the First Lady's fashion choices thus far. Clip and save: Laura will unveil her new look when she accompanies George W. on a trip to Europe in mid-June...
...aside the imposing stats. Giddins is impressed by Crosby's importance in the history of pop singing, his talent for vocal nuance and lyric-reading; rather than a bland stylist, the first easy-listening star, Crosby is promoted as, in Artie Shaw's words, "the first hip white person born in the United States." To Giddins, Bing was more. He embodied an attractive prototype: the casual, unflappable American, at ease in his eminence, who faces life with equanimity, win or lose - but who always wins. Giddins also dares to admire the fullness, longevity and ease of Crosby's success...
...shaggy, jet-black hair with bangs, wears a horseshoe-embroidered black Guyabara and jeans and has a freakishly creaseless complexion. And he has proved his ability to pull off non-Pee-wee characters over the past few years, culminating in a convincing gay '70s Los Angeles hair stylist cum drug dealer in Blow, the cocaine movie starring Johnny Depp that opens this week. "I have a four-year-old daughter, and I was introducing her to Pee-wee's Playhouse, and halfway through I was like, 'I wonder what that guy is doing?' " says director Ted Demme. "I called...
...just like the stroll down the street whose rhythm inspired its composition, a nice-guy "We're the Jets"; "Last Train to Clarksville" is a guitar-driven thing of pop splendor; "I'm a Believer" and "A Little Bit Me, a Little Bit You" remind us what a distinctive stylist Neil Diamond was before he descended in the bathos-sphere with "I Am, I Cried" and "Longfellow Serenade." And "I'm Not Your Stepping Stone" simply rocks...