Word: styne
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Dates: during 1970-1979
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...pleasant, but nothing to write home to Grosse Pointe about. It's got all the constituent parts-hopeless love, show biz, comic relief-but as Eddie tells Fanny in the first act: "Everything you've got's about right, but the damn thing don't come out right." Jule Styne and Bob Merrill's songs, on the other hand, are wonderful, from chorus songs like "Henry Street" to the torchy imitation of "My Man," "The Music that Makes Me Dance...
...longer inaugural pieces, historian Arnold J. Toynbee observes: In science and technology, man has been brilliantly successful; in morals he has been a tragic failure." In an item entitled "Thank God for Music," Composer Jule Styne rhapsodizes: "Music reaches the lefts and the rights with the same good emotional impact." Matsushita, who spends several hours a month delivering his own thoughts to a panel of scribes, provides some "Notes for World Prosperity." Sample: "Peoples from every corner of the earth must get together to launch an Apollo of the spirit." Other contributors include Anne Smol, 8, of London, who offers...
...such that the only nun people would queue up for at the box office would be one who is leaving the church, and the only black, one who is demanding reparations from it. Jule Styne and Sammy Cahn must have lost interest before they wrote the score, and any playgoer will lose heart as soon as he hears it. Whatever money Joshua Logan received for his lethargic direction or Jo Mielziner for his anemic sets was collected under false pretenses...