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...Documentaries for families always have to do an awkward two-step between being entertaining and informative. Under the Sea 3-D splashes down clearly on the entertaining side, and environmentalists might take exception to the Ripley's Believe It or Not! approach it takes to its subject. There's a dutiful hat-tip to the threat coral reefs face from global warming, without any substantive advice on what a concerned moviegoer could do about it. Nevertheless, it's quite a parental high to see wonder on the face of a child. Even behind the weirdo glasses...

Author: /time Magazine | Title: Under the Sea: Fish Tales in 3-D | 2/13/2009 | See Source »

...becomes clear that Lolita is, like the rest of Lithuania, damaged goods—corrupted as much by the sinister “Them” as by her own submissive will. In encountering Lolita, Vargalas’ fragile paranoia is thrown into violent imbalance, and he too falls subject to the same designs “They” have exacted on Lithuania—a torture ritual of castration, evisceration, and sterilization. The most lasting surreality Vargalas experiences is a frozen city through which he alone moves, caught in a stillness that, he believes, allowed...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: Madness and Civilization Converge in 'Vilnius' | 2/12/2009 | See Source »

...that Malajube adds the complexity that their album title, “Labyrinthes,” implies. Malajube’s comspositions also rely heavily on keyboard. This prominent usage allows Malajube to highlight the intricacy of their songs and the range of their vocal expression, regardless of the subject matter of their lyrics, better than their guitar bass and drums alone could do. Simple keyboard lines mirror the vocals, swiftly changing from more fluid melodies during the soothing croons of “Dragon de Glace” to the blaring staccato and raspy French interspersed throughout...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Malajube | 2/12/2009 | See Source »

...cannot relate meaningfully to the ideas Fani-Kayode presents.Fani-Kayode understood that his audiences would be unaccustomed to the often spiritually and sexually infused nature of his photographs. And in fact, it is far too easy to retreat to preconceived notions of appropriate cultural behavior. Because the explicit subject matter is distracting, the viewer loses the ability to view the photos holistically. If, however, viewers are able to strip away their prejudices, “Rotimi Fani-Kayode (1955-1989)” presents perceptive and personal reflections on life that extend beyond the comforts of convention.Using symbolism and techniques...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Sprituality, Sexuality in Rotmi Fani-Kayode Exhibit | 2/12/2009 | See Source »

...style filmmaking to realistically expose the conflicts and betrayals, emotions and loyalties of this family, making no attempt to moralize or embellish. “The Secret of the Grain” exudes a rare genuineness that allows it to offer a fresh take on perhaps the most depicted subject in the arts: love. The tale lacks sensational dialogue, a rapidly moving plot, and easily recognizable actors. There is also a noticeable lack of interference on the part of Kechiche; the movie does not have a dramatic soundtrack, for instance, that would attempt to evoke specific reactions and emotions...

Author: By Anita B. Hofschneider, CRIMSON STAFF WRITER | Title: The Secret of Grain | 2/12/2009 | See Source »

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