Word: subjected
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Dates: during 1970-1979
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Picnic At Hanging Rock. Peter Weir's metaphysical mystery about the disappearance of several adolescent girls from a Victorian boarding school is often hilariously overdone, but the subject is eerie and the idea has potential. Weir is a wild Romantic, he gives every shot of nature stark religious overtones piled on to the point of silliness. The beginning is obvious but fun. There is no doubt as to what happens to the girls, but there follows more than an hour of ponderous, redundant "evidence," the result of an Agatha Christie-type structure which, Weir irritatingly enough, never fulfills. Weir...
...suitablity of a student for CIA work on the basis of personal opinion and open observation. The latter hardly infringes any significant rights of privacy. The passing-on of the student's name without his permission to the CIA is a different matter because the student becomes automatically subject to an unsolicited security check--a far more serious threat to his rights. That such checks occur independently of covert recruitment is of course no argument to challenge controls over them when they are connected...
...that Islam varied from place to place, subject to both history and geography. Islam was unhesitatingly considered to be an abstraction, never an experience. No one bothered to judge Muslims in political, social, anthropological terms that were vital and nuanced, rather than crude and provocative. Suddenly it appeared that "Islam" was back when Ayatullah Khomeini, who derives from a long tradition of opposition to an outrageous monarchy, stood on his national, religious and political legitimacy as an Islamic righteous man. Menachem Begin took himself to be speaking for the West when he said he feared this return to the Middle...
...open object defined by thin planes. The folding of the tin imitated the layered, overlapped look of the paintings: it was cubism made literal. This battered-looking object is Exhibit A in the Guggenheim show. In it, space was for the first time declared to be the prime subject of sculpture, but by means traditional to painting: the flat surface, the boundary line. Since tin sheets do not ask to be stroked, as stone or bronze does, the Guitar was wholly visual sculpture, another mark of the new sensibility. If the word revolutionary still means anything in art, this...
Friel uses faith healing as a resonant metaphor of the artist and his gift, the mystery of how the muse inspires, deserts and sometimes destroys its own. Friel leaves the subject as murky as he found it, but his actors are luminous. Returning to Broadway after 32 years, Mason is a necromancer at his craft. His real-life wife, Clarissa Kaye, seems like a Mother Courage on loan, and Donnelly is a mischievous imp dressed in the motley philosophy of show biz. Faith healers...