Word: subjecting
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Dates: during 1960-1969
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...about to develop an idea (support it solidly and investigate its implications), but instead must compress his thought into slogan. Thus depth is sacrificed by the Collins system, and investigating a question in depth is the essence of academic inquiry. A lecturer, confident that he can develop a subject for a considerable length of time, has the opportunity to explore that subject in depth and usually does...
...would urge other Faculty members who would like grades abolished in their courses to join us in this petition. Those interested in more information should contact Arthur MacEwan, extension 4560. Also, we would like to point out that some aspects of the generally favorably CRIMSON editorial on the subject (March 5) significantly misrepresented both the nature of our course and our position on grading...
...content of the knowledge acquired by a student is also affected by grades. Those aspects of any subject matter which can most easily be reduced to a single one-dimensional measure increase in importance--such as for example, factual and quantifiable date. In the choice of pare topics, preference is given to small questions which can be easily researched and for which a complete answer can be developed in the limited time available. In order to assure a short-run payoff, the student tends to minimize risk by restricting his field of inquiry. As a result, the larger framework...
...Mystery to Himself. "I had never met Lewis," Catton recalls, "and I realized that our styles were different. But we had much the same attitude toward the war and toward Grant." As it turned out, this was one of those rare literary legacies in which, considering the subject, the heir is apparently superior to the original author. Just as Lewis was ideal as Sherman's biographer, so Catton's quiet lucidity and laconic humor are precisely what is needed to amplify and examine Grant's elusive but enduring qualities...
...LAST Ingmar Bergman has stopped posing questions and begun taking them for granted. Shame is probably his greatest film--and it is the first to aim exclusively below the neck. We had expected "A Film from Ingmar Bergman" on the subject of war to be filled with long dialogues, endless questioning; in our mind's eye we can see a low-key closeup of Liv Ullman or Max von Sydow asking, "Why is this happening to us? Why doesn't it make any sense?" But this is precisely what Bergman avoids. For the first time we can walk...